Product Review: Wegovy (Semaglutide injection, weekly) for weight loss.

 Recently, I had put on up to over 20 pounds, for having moved in to temporary housing, and for being offered 3 square meals a day, whereas my mealtime was previously more sparse and erratic, and whereas I was previously living a more active lifestyle. I had tried out Metformin, which is another diabetic drug that is also given to patients who have been experiencing weight gain, but I was interested in Ozempic (alternately known as Wegovy, by another maker, which I’ve currently been prescribed), which had been trending recently, in news articles. 

My experience with Metformin was short-lived; since it was prescribed to me as a twice-daily pill, I found that I’d regularly forget to take doses, and so I would sometimes double my dose when I did remember to take it, but I was still missing days of taking the pills, on a regular basis. The backdrop to my interests in maintaining my weight, recently, were mostly of that I was concerned about how quickly I had put on the weight, and I’d been suffering from bouts of feeling nauseous, for going out, which I’d somewhat associated with starting to donate blood plasma, at a donation center, which I’d begun doing regularly, since I moved in to the new home, where I’m still staying. The weight gain happened over about 2-3 months, and, being that it was 20 pounds, and I’d gotten up to weighing 210 pounds, being a 5’8” guy, in height, it was starting to measure strongly in to the obese category. I’d been more used to being around 185, which I’d maintained for a few years, at least, consistently. I was worried that the weight gain would continue, uncontrollably, perhaps due to the changes in lifestyle that I’d taken on, and, coupled with the nausea I was feeling, it had become a prominent concern.

I was excited to hear from my primary care physician, on my Medi-Cal subsidized health plan, that I could receive weekly shots of weight loss medications such as Wegovy, or Ozempic, as it’s otherwise known (it’s called semaglutide, as a generic; all the same), since I’d been reading about people’s experiences with the drug, such as in topics like “Ozempic Face,” which is in reference to a drooping of the face, associated with fast weight loss, over a short period of time, apparently. The reality of the situation, as it seems to work out, at least, in my case, is that patients might feel more full, on a consistent basis, throughout the day, thus requiring less of a feeling of even a need to eat meals on as regular a basis as three meals a day. GLP-1 agonists, which help manage blood sugar levels in Type-2 diabetes patients, are the class of drugs that medications like semaglutide (Wegovy, Ozempic) belong to, and they’ve even been purported to show promise in treating a variety of conditions, such as alcoholism. Even though I don’t drink alcohol, myself, I found these reports to be intriguing. 

I mostly have the impression that a person’s appetite is reduced, with less discomforting side effects of actually skipping meals, as a result. Here and there, I get some effects resembling indigestion, heartburn (burping feelings coming up, from my stomach), etc., but I’ve actually started to have less nausea, and fewer substance use cravings, perhaps akin to the reports on alcohol intake that have been showing up in news headlines. It’s a small price to pay for comfortably being able to skip meals, in order to take the weight back off, and I don’t mind, much, if some parts of me start sagging, due to sagging skin. I’m getting older, regardless. Getting a comfortable pass, from my body’s take on things, coupled with an associated feel of cooperation, in my mindset, that lends itself to weight loss (I’ve already gotten down to 200.8 pounds, after 2 weeks, or so, of using Wegovy). The results seem promising and fast-acting, and I’m optimistic about future quick gains, in losing weight.

Single-use weekly Wegovy injection pens that I was prescribed, to start out my treatment, using semaglutide. Injections are easy; they’re pain free and not difficult.

Neuronify is Back, on iPadOS! Analyzing and Comparing the Efficacy of Two Common Learning Methods - Immersion Versus Self-Quizzing.

 Originally published: 09/21/2021

Every now and then, I get quizzed on knowledge base, perceptual acuity , memory tasks of contexts pertaining to occurrences and developments in my life, and of “seemingly” random tidbits of learning, taxonomy, culture, or lore (otherwise), in my remote-sensing environments which happen upon me.

This sort of thing happens on a regular basis. The remote-sensing quorums are attended by various classes and types of individuals, yet commonly, the topic basis is one of a civil complaint against me, and I find myself chronically stressed out, in life, of various sorts of consequences. The pursuit of an ever more leisurely outlook and disposition, in life, is an obvious lure for me, and unfortunately, I find myself deprecating in to former and legacy modes of behaviors, such as seeking novel or imprudent sorts of entertainment online, for example, rather than using my strengths, and building upon gainful and productive aspirations in life. 

 The app I have in mind, in this instance, is a simplistic one, although I would strongly presume that the merits are founded, and sure. 

Why an app? 

Mobile development is an industry that had a significant heyday leading up to the time of the Pandemic, and by all means, it’s an industry that will see growth, to come, as various demographics see a rise and fall in their social and class status underpinnings; I’d suppose that would happen, based on much of the “conjectural” (perceptual?) confessionals and Freudian Slips that I’d been privy to, as we’re all under interrogation by the higher authority, until we become the highest authority, when it comes to a remote sensing tech and lifestyle sort of, uh, lifestyle. 

Within the gold rush timespan, leading up to the era of high-powered mobile device hardware, we saw many shining stars emerge in app development, which fulfilled many of the needed purposes to be seen through in app development in an ever-increasingly more compact, more large if need be; more graphics, higher data throughput and storage capability expectation and demand, on our devices. Activities and pursuits of merit, once confined, largely, to the classroom environment and to libraries, were suitably accommodated and made much more accessible to the layperson of an aspirational creed, who would shrug off the influence of pirating goods (and jailbreaking,, etc.), and go with the program, as far as discovering what was available and being offered through mainstream big tech app stores, offered by Google, Apple, and now Amazon (does Microsoft do an App Store for their mobile devices? I don’t know, off-hand, but I’d assume so). 

The point is,

is that many developers and programmers had staked their worth and product offerings, early on, and they’d established themselves, app-wise, as the go-to solution that people would come to discover, and support, for menial scrum pay - that many App Store offerings were given to people as, with archetypes such as the iTunes Store’s $0.99 offerings of parted-out pieces of what could, would, or had been full albums, previously; many of such apps, themselves, offering a similarly compartmentalized concept of what productivity and development, or “work,” on mobile devices could, and ought be, as it was envisioned and carried out. 

My go-to app, for learning about neural networks, all learning and literature (mostly) aside, came to be Neuronify. Was it free? Did I pay for it? I don’t quite remember, but if it cost anything, it was a couple, or several dollars, or so. It seemed to do the job, as imaginable as it might be, for a dilettante entry in to app-attainment goals, for my arrays, choices, and learning-basis inclusions on to my mobile devices, and for that matter, SSD hard drive space, on an iPad, even more so than on a mobile phone device - it goes a lot further than on a desktop environment (as well as better than phones can offer). I’ve currently (September 2021) got 569 apps, 6020 photos, 346 videos, 168 songs, on my device, which features 256 GB of SSD storage, and I’m only down to about 161 GB remaining. I do anywhere from a 4+ hour to 8-hour screen time daily average, given a week, on my iPad Pro device, particularly now that I’d lost my Google Android Pixel 4a 5G, which is part of a great series of mobile phones, for the cost, by the way. For that matter, the Google Store also features the Neuronify DIY neural networks mapping (doing) app, as well. 

The premise of a neural network is fairly basic, in essence. There aren’t all that many parameters and objects that would be featured in Neuronify, but the significant feature of having development and productivity, on mobile, playing out, at the speed of whatever measure of achievement that could be wrought out of the device and app, through the user’s input, as a moving visual image: interactive, and engaging that it is, playing out on the screen, is part of an attainment, in mobile device development, particularly on the iPad (Pro), which would have formerly only existed in richly-resourced study and research learning and development environments, and tracing even further back, in static image renders, of the calculations involved, and even further than that, in people’s imaginations. At some point, the technology falls back in time, in to philosophical codices, with the basis and need for the science of neurology being a pursuit, study, and investigation of what comprises the mind, itself, and it’s functioning, at the most critical points of investigation and discovery that could be had. What works? What doesn’t? What is the most effective cause and effect cycle and premise? Which types of decisions and behaviors are harmful, or wasteful? These sorts of questions could be proven, to as best the researcher could prove, to the scientific community, whom, in turn, would be capable of producing the same results, in a lab setting, thus validating the discovery. 

Within the app itself, as I’d mentioned earlier, there are only several parameter objects and icon type tools, or actions and feedback mechanisms, in other words, of the interface. The interface, in and of itself, is a node-based class of workflow environment.

The Neuronify app interface, on a 2020 model iPad Pro.

Here, then are the various user interface tools of the app:

Leaky excitatory neuron

Adaptive excitatory neuron

Leaky inhibitory neuron

Adaptive inhibitory neuron

Voltmeter

Spike detector

Firing rate plot

Loudspeaker

DC current source

AC current source

Irregular spike generator

Regular spike generator

Visual input 

Touch activator

Note

My hypotheses:

Premise 1: innovative skills arise out of need, as well as out of rote. 

Some findings and observations, upon that basis:

• Needful skills could only possibly attend to the problem which arises. In this case, I’m choosing productivity as the title of merit. Takin time to discern and decipher, as well as determine that the problem is resolved, and move forth, is hampered by products of neural activity that could rely on lesser or greater electrical pulses, at a more accommodating timing, if the problem at hand were capably handled by a more singular and fluid, unique mind, rather than a mind of more randomness. Electrical efficiency is the requisite object of attainment.
• My preference, for deciphering that engaged and interactive learning, for example, is the superior backdrop to a greater productivity, is that the problems are being resolved in an engaging, real-time environment. Calculations happen quicker through methods gained in using hand-eye coordination types of skill sets - gestural and procedural industriousness, of various other enterprises of life, which pertain to economics, could be translated over in to the argument for an active learning environment basis to a more capable and effective problem-solving style, compared to a “flash card” setting, of completely randomized data sets, this being the cards. 
• The goal of this hypothesis would be to employ certain scientific control environments of my own study, ask individuals for their input, and analyze their statements and claims, as well as their preferences, and discover, within the control environment, whether or not they find similarity, or comparability, in their input received, when calculated against my personal findings. On one hand, it takes a high Intelligence Quotient (IQ) to discern valid mathematical truths about a visual environment, of an insightful nature, yet - I would assert that we, as intelligent and rational creatures, would pursue and develop upon gainful, rational, formal structures, rather than something more founded upon chance, randomness, (even within a finite series of choices), memory - which would alter the resonant section, even, of the brain, itself - a costly transformation; I would say more so, than if the knowledge were understood by an actively engaged mind, of rote discipline, and familiarity, set about in a workflow and industrious setting and environment. 

I’ll pause here, in writing, because I’ve arrived at my destination, of where I’m going, for this part of the day.

Update: 02/09/2023

Hello, I apologize for the abandoned blog article, here - ha ha… a silly way for me to appear, in front of others in the scientific community, but I had abandoned this blog article, due to ongoing challenges in my personal life, which still persist. Aside from that, the app no longer loads on my device; I believe that the app is no longer available for iPadOS, for that matter.

Update: 03/25/2025

I’ve recently gotten a new iPad Pro, and, with my new desktop interface, I checked out my complete apps list, of former installations that I’ve had, and I got to look over all of the apps that I’ve ever had, on every iOS / iPadOS installation that I’ve done, so I checked back on Neuronify, as a download, after finding that I had to abandon this thread of my research, due to the app not working for me, temporarily, as the previous update I made on this article will state. This being the case, I can now work on speculative research projects of relevant subject matter, as for my neurological subject matter hypotheses. 

Product Review: September 2024 Perfumer's Apprentice Haul.

 Since around October of last year, I decided to make good on an inkling I'd had, with regards to that fragrances would work out well for balancing my mood, so I began purchasing retail designer fragrances by Dior, and alternately, I also began purchasing individual aroma chemicals and natural fragrance products from suppliers such as Liberty Natural and The Perfumer's Apprentice, whom both have delightful catalogs of fine and natural, as well as synthetic (Perfumer's Apprentice) fragrance components. My use case scenario ranged from trying my hand at making a complete fragrance composition from scratch, to developing simpler layers to add, on top of my designer bottles of fragrance. In the past, I've also purchased fragrances such as Spicebomb, by Viktor and Rolf, for such purposes. 

My workflow in fragrance, lately, has been based on developing a fragrance from scratch, stemming from a purchase haul I made two months ago, which was, conceptually, a women's fragrance which had Anise (Licorice) and hyacinth as the feature ingredients, for which I purchased small amounts of over 20 ingredients, in order to create it. The results were moderately amusing, yet I found myself tending towards trying to wear the fragrance, myself, (being a male), so, as the weeks of the month wore on, in that month, I gradually developed the fragrance, staring from a confectionary licorice aroma, initially, to an overpowering floral hyacinth earthy aroma eau de parfum hydrosol, with strong remnants of the Anise and licorice theme still remaining - it was too strong to wear when going out, so I resolved to have it as a room spray. 

Image of hyacinth bulbs in bloom, by Artur Pawlak from Pixabay

I felt determined to not have wasted my investment money, for the month, in purchasing the ingredients for the composition, so I ended up setting it aside, and I made plans, for the next month, to renew my aspirations to create a reasonably wearable female's fragrance, with natural ingredients, from Liberty Natural. I purchased Rose Otto, for a sizable and costly dose of fresh petals and natural floral bloom, and the effect turned out nicely - the scent of Rose, in this case, ends up being a scent modulator, of sorts, and the effect of Rose Otto, rather than as much, the scent and smell, itself, of Rose, served to give the composition a twist, which I could be satisfied with, so I bottled up the oil layer of the composition in to small containers, for preservation and documentation of the creation. Prior to this, I had also given the fragrance a sizable helping of grapefruit essential oil, to brighten up the overpowering effect that the hydrosol composition had. I also added absolutes of Tonka bean and Cocoa, for a sweetened culinary gourmand effect, overall, since the fragrance had a confectionary theme to it, at its outset, with Anise and licorice fragrance at the core of the composition, for which I decided to try Canthoxal, a synthetic component, and it worked nicely. I also added Carnation absolute, for additional fresh petals and spice, being that the scent of Carnation blooms contains a high amount of eugenol, for which, the smell of Clove would be the best reference material (actually, carnation blooms, naturally, would seem to have nearly no scent, at all, so I am referring, here, to the extracted oil, or the absolute). Lastly, from Liberty Natural, which was last month's purchase, I added Champaca CO², for its anti-inflammatory therapeutic effect, rather than that it would seem to be a floral component, being that the scent of this particular extraction of Champaca blooms might best be liked to the exotic spices of Indian (subcontinent) culinary fare, with lightly fragrant hints of cardamom, fennel seed, and cumin to it. Comparatively, the essential oils and absolutes of the Champaca flower have, in increasing magnitude, respectively, much more floral and lovely aromas to them. 

I decided, initially, in creating this Hyacinth and Anise fragrance composition, to complement the natural fragrance components with synthetic ingredients. This might range, in meaning, from that the aroma chemical is a standardized formula, of the manufacturer's own design, or, alternately, that the entire ingredient, itself, is manufactured from sparse chemical raw material resources, through means, perhaps, such as additive or subtractive chemistry processes. For example, for the initial carnation flower effect, I had Carnation essential oil, to begin with, yet, according to my reading studies, and practical, hands-on experience, in recent and former outsets of creating fragrance compositions, essential oils, themselves, sometimes tend towards decomposing (oxidizing) in the fragrance composition, giving the creator (me, in this case),  temporarily false sense of what the fragrance would end up smelling like, being that some of the rarer fractions of scents, in cases where the ingredient is a delicate one; here, the carnation flower scent would have its soft, fresh petals character subdued, or disappeared, as the fragrance sits out, as time goes on. After all, the fragrance composition ought to be stable, over weeks, months, or years, depending on the production stage and packaging materials. In this case, I'm still in the early to mid-stage development process, so I use temporary, reusable plastic spray bottles, for example. In addition, synthetic ingredients also have the added benefit, at times, of being lightly colored, or clear and colorless, which is helpful during The marketing stages of producing a professional designer fine fragrance. The synthetic ingredient aroma compound for Carnation that I employed for this composition was Methyl Diantilis, which is reputed to be a more stable synthetic component. I wanted to experiment with the potential for the synthetic ingredients to have a "stabilizing" effect, as well, in terms overall course of things, given that I'm using a host of natural fragrance extracts, here - synthetic ingredients are relatively cheap ingredients, by comparison, and they tend to be lacking, in various ways, compared to natural fragrance extracts.

This month, I received a surprise fragrance endowment, care of my Los Angeles County Department of Mental Health Peer Support and Caseworkers; in particular, from one of them, named Matt (thanks, Matt), who gifted me with a 3.4 fl. oz. bottle of Dior Sauvage, Eau de Parfum version (there are 5 different versions of Sauvage, for men; I typically like the Sauvage Elixir one, especially during the fall and winter seasons, and I haven't yet smelled the newly released Sauvage eau Forte hydrosol), which gave me a new and unexpected fragrance project to work on, being that I'm mostly unfamiliar with the Eau de Parfum version of Dior's Sauvage line of products. The reason I favor the Elixir variant is that it is lush and heavy; perfect for colder weather, whereas I find that the Eau de Perfume version is pungent and literally perfumey - not so much a problem, however, and Mark, my Department of Mental Health nurse, assured me that the scent is masculine enough. Still, I like an over-the-top good smelling fragrance profile, so, this month, I stocked up on some old favorite ingredients, which I'd run out of, such as Benzoin Oliffac, Ambroxan and Exaltone, two musks, which I'd lost, during the course of a former, unexpected eviction, some new-to-me samples of fragrance profiles that I'd been favoring, such as Siam Benzoin Resin in Benzyl Benzoate, Black Hemlock Absolute, for which I'm sampling as a complement, or as a woodsy, smoky-sweet alternative to Blackcurrant Bud Absolute, and related compounds, such as Labienoxime, and Rhubofix, in the vein of earthy and mailette ingredients I'd initially purchased to create my perfume-from-scratch, such as Terrasol and Sarriete Base. Lastly, I venture off, this month, in to incorporating flavor ingredients in my fragrance compositions, with cinnamon and hibiscus flavor concentrated, being that I'd mostly not found a powerful and pungent-enough cinnamon, for my spice olfactory profile; here, hearkening back to my love of Spicebomb - I felt that i could create a reasonably-distanced and unique take on Spicebomb with my Anise / Licorice / 🪻 Hyacinth fragrance, and I also needed a flavor to fill up a Geek Bar Pulse nicotine vaporizer, which I found I found I could refill, so I chose Hibiscus for the flavor, and it worked out great with my flavorless 50 mg nicotine salts that I purchased locally, from Broadway Smoke Shop. The Hibiscus 🌺 flavor concentrate worked out great, since it has propylene glycol in it, which is a food grade antifreeze that vaporizes (it's in fog juice) in an e-cigarette inhaler, such as the Geek Bar Pulse.

I felt that the fragrances I was wearing (Dior Homme Sport), working with (Dior Sauvage Eau de Perfume), or creating (the Anise / Hyacinth spice fragrance), lacked a certain degree of Amber and Musk, so Ambroxan and Exaltone became two iconic favorites that I could implement in to layers of fragrance that I could apply, as separate perfuming sprays in different spray bottles. They both smell great, at different price points ($15.00 and $72.00, respectively), and, in the case of this purchase haul, the both of them smell a bit more powdery and less base-y than I'd recalled, off-hand, yet they work well, for my situation, since the low end of the fragrance spectrum I'm working with, and fragrance profile I'm trying to fill out, such as with the Sauvage Eau de Perfume, is reputably satiated by the addition of the Black Hemlock Absolute, which has a rich woodsy, syrupy, sweet, and smoky fragrance to it that I'd been looking for, all in one ingredient. Rhubofix is a nice, spicy, earthy fragrance ingredient - a bit pungent, so I only incorporated several drops, as opposed to a few squirts that I put in, when it came to Benzoin Oliffac and Calibrian Bergamot (I'd forgotten, during the course of writing this blog, about needing to refill my Bergamot supply, and the Calibrian Bergaptene-free Bergamot from Perfumer's Apprentice is far more delightful than a standard Bergamot oil, with a bright and sweet citrus aroma to it. It's just great, as far as that slice of citrus fragrance profile is concerned.

September's haul of fragrance ingredients.

In diffusion, this little stub fragrance layer, in combination with the Sauvage Eau de Perfume, ends up giving off the impression of bubblegum anaesthesic, in my opinion. On the skin, the combination smells like a powerfully artificial cinnamon feature, dressed up in the fanciest of decolletage, with what I consider to be the feminity of the Dior fragrance feeling subdued; perhaps veiled, in that it might still be inferred.

Product Review: Geek Bar Pulse.

As far as nicotine vapes (smokeless inhalers) go, a relatively new geeky phenomenon has hit the streets (literally). The Geek Bar Pulse product line is a new, emergent brand that has various special features

A few Geek Bar Pulse vapes, one a Geek Bar Pulse X vape.

My favorite take, from out of Amazon Prime Day 2024.

This one just feels serendipitous to me, yet I can't share on other social media channels, from this hotspot. People have got to try this wacky UFO orb thing out! Yikes! 

Hint: look up "Dorom" on Amazon, whether it's the website, on a browser, or on the app. I had better luck on the web. Then buy one! If you don't see it's then it's probably done, his inventory. But the guy might be one of my buddies, from university days. Neat, huh? There's no deal like it...

My Android YY-35 Tablet's Chrome browser.

iPigeon.institute Local Botanical Item Spotlights - Mitica brand honeycomb, from Gelson's.

Update, and quick note: yipes! This product could potentially cause severe eye irritation! Be very wary about using the product described in this blog article, as far as cosmetic use goes. 

 One of my more recent fragrance fascinations was with the raw material, the honeycomb. I'd once had a great sample of Beeswax Absolute, which I highly enjoyed, and, which I'd mixed in to some fragrance compositions, with some slight attainment about them. I found the material very overpoweringly dominant, in what I felt, at the time, were small portions (I was just beginning to investigate and experiment with perfumery materials, having come from a background in making fragrance compositions with essential oils and absolutes that are more commonly found in local retail stores. 

In any case, I was fascinated by the physiological, or psychoactive (bioactive, perhaps, at least), effects of Beeswax Absolute, and, once I had run out of my sample product, I'd sometimes obsess over the ingredient, and I'd spend a lot of time, here and there, trying to find out new things to know about the product, itself, and I also developed a fascination with producing the absolute, myself, as well. 

Recently, I came across a great retail product beeswax honeycomb, by Mitica brand, which I found at Gelson's grocery store. I made sure to pick one up, since I had lots of money on my Food Stamps account, still. The item comes in its own frame and plastic box (which, for aroma chemical extraction, might not be the best material, but this is just my first try at producing my own agricultural fragrance ingredient from this material).

A top view of Mitica brand's honeycomb box, which includes a frame that the beeswax and honey, contained within the honeycomb, is built upon.

A diagonal view of Mitica's honeycomb box and frame. I felt that the product was ideal, over other choices in retail honeycomb availability, particularly on account of that a box and frame are included with the product.

I had not much knowledge base to work from, as far as discovering literature in regards to the chemical and molecular composition and form of honeycomb and beeswax material, so I had to do some looking up, of things. I had some notion that I could try to produce an alternative product to an absolute, using regular cooking vinegar. I tried it out, by soaking the honeycomb frame, in the box, and I felt that it could take weeks, or months, or more, perhaps, for a full extraction, as limited as with vinegar, solely, as the extraction fluid, although evaporation would be fairly reliable, I figured, and there could be useful compounds produced, with acetic acid thrown in to the equation, given that I be patient. 

At this point, it's been a few weeks, or so, and I noticed some slight changes - almost of that the beeswax seemed almost alive, in and of itself, even under vinegar, since I felt that some of the beeswax seemed to have creeped along, further out, on to the frame's top edges, where I don't remember seeing beeswax establishments, previously. The vinegar solution, itself, slowly became yellowish, but there wasn't a whole lot of action, in this instance of experimentation. 

Upon investigating the solvency considerations of the material, it was learned that the extraction would be best done with a polar solvent. I don't have any of the standard solvents, on hand, but, at one point, I became reminded that I have dimethyl octenone on hand, of which, I'd had previously employed a similar (somewhat) product, in doing an extraction and production method, as an experiment, with 3-octanone, as part of the extraction. Dimethyl octenone has a fairly relative olfactory scent profile to 3-octanone, and I figured that it is a polar solvent, in and of itself, perhaps as a scarce fraction of some other, more gross product of some other agricultural crop, in being separated, for qualitative purposes.

With a 15 mL bottle of dimethyl octenone, I was capable of pouring around a third, or less,  of the bottle out, in to the vinegar solution, and still cover the entire top surface area. Immediately, I noticed that the two layers didn't immediately mix; it was like oil and water, so I felt that my decision to employ dimethyl octenone was justified. This was yesterday. The liquid in the box became very vaporous, so I felt that perhaps a timeline of an extraction, in this experiment phase, would work along a much quicker timeline. If you'd notice, in the first photo, some of the honeycomb cells are destroyed, over on the top left. There are also some "breathing holes" that had developed, as a result of introducing the dimethyl octenone to the solvent solution (I shook the box, so the liquids became a more thorough solution). I figured, dimethyl octenone, pungent and musky solvent-smelling that it is, it'll eventually evaporate off; I should seek to establish more generalized visible similarities between what I produce, regardless of what it is, specifically, and if the viscosity, or consistency, in terms of the product's thickness, or solidity, becomes a familiar and standard sort of outcome, it would be easier to sit and wait for this type of portion of patience being necessary, being that dimethyl octenone might only dissipate over several weeks, or so, perhaps. 

Part of the challenge would be discovering what becomes of the wax, itself. I would typically take a "hands-off" approach to playing with my extraction experiments, and just stick to observation, and just the slightest of mixing, or disturbance of the solution, but, in this case, I touched the corner of the beeswax, and it melted like cake frosting, so I knew, then, that the extraction would be successful, from here. Only time will tell, as to what the outcome of this experiment will produce.

Update:

This honeycomb / beeswax project continues to reveal delicate mysteries about its form, within the acidic, polar solvent liquid At this stage, 4 days later, following the original post, the Mitica honeycomb's plastic box proves to have taken on acid damage, bearing leaks, and penetration, through the outer layers of plastic, whereas the now emulsified lipophilic liquid, which has incorporated the beeswax, as liquid beads, as an outer phase of emulsifier, wherein the solvent layer acts as the inner phase, with the dimethyl octenone / acetic acid, perhaps mixed with the plastic, somehow acting as a surfactant, to make the emulsification fairly molecularly small. Have a look! 

This (not so delicate) bulge is pretty resilient, in fact - almost like a rubbery latex, in texture, but definitely bendable and flexible, with the plastic walls having disintegrated, due to the particular nature of the acidic polar solvency of the solution. I'd suppose it would be a perfumer's hand at pulling off this trick; some of it is just gestural artistry, since I didn't know that this would happen - although if you did the same extraction, it very well could happen for you, also. 

Exciting new things to do with Logic Pro for iPadOS 17. (scratch, updating)

Following up on my first article for the Logic Pro for iPad Users group, on Facebook, here, in this article, I’ll detail some notions I’ve come across, through years of maintaining interest in topics ranging from the obvious - music creation and audio recording, for example, to more recent developments and prospects for the future of our digital and mobile lives - topics such as IoT and edge technology, in incorporating musical creativity in new and largely unexplored reaches in to people’s lives. In doing so, we’ll examine some of the existing hardware devices and software platforms that exist, currently in the summer of 2023, and I’ll offer my best estimations, or experiences, in working with, or, for studying, these extended-use case scenarios, which offer the creative minds of music-making, on Logic Pro, exciting and stimulating new horizons to explore, all within hands’ reach, on our iPadOS devices.

First of all, I’m composing this article, as Apple’s annual WWDC (Worldwide Developer Conference) 2023 is taking place (June 5th-9th). Yesterday, at the outset of the conference, we got some exciting peeks at brand-new hardware technology (VisionOS and updates to existing laptop and desktop hardware), which I won’t get in to, at the time being; here, for our purposes, I’ll detail some of the highlights, features-wise, which make the new iPadOS 17 a rich environment to perform some distinct and unique purpose-fulfillments in the development workflow, and how these tablet-specialties, as I’ll call them, figure in to creativity and professionalism for us, as musicians, and for iPadOS - our chosen platform for concentrating on certain aspects of development. 

Keep in mind - 

This article will cover a lot of ground, for newcomers to the audio and MIDI world hosted on Apple’s mobile iOS and iPadOS platforms - both largely similar and comparable to one another, yet, given some extended use-case scenarios, for either one - some things become distinctly advantageous, when considering Apple’s tablet designs, for the sake of becoming reinvested in digital audio workstations (i.e.Logic Pro, for iPadOS). 

Aside from the obvious advantages of having a truly responsive multitouch display as the workspace, as well as the user interaction workflow environment, there are several advantages to starting off with a new, and updating app installation iPadOS audio environment, where the general third-party plugin and instrument apps are known as AUv3 (Audio Unit version 3) and IAA (Inter-App Audio) - these are the largest standards established, as far as iOS / iPadOS audio is concerned; although, given the boutique-ish (somewhat) form of app development, given years of having established a reputation and user base, amongst App Store audio buffs, as far as generalized audio files needs, per se - a few of these small-purposed apps bear the weight of acts taken for granted, in coming from a desktop pro audio workflow environment. Here they are (there’s only a few, or several, heh heh 🤯😳): 

AudioCopy

In fashioning an abstraction of a complete newcomer’s (to iPadOS pro audio, that is), standpoint, imaginably, people would approach the performance and session considerations, depending on the types of background and skill sets that the user has. Something that isn’t immediately considered, perhaps, is translating audio files over, from audio that’s already been recorded - this is, for example, well understood, as master tracks, taken from session recording microphones - one track, each, to every microphone. So, there would be a kick drum track, perhaps some more drum tracks, a vocal track, guitar and bass amp tracks, etc. So, if you’re able to get these tracks, per se, in to your iCloud account, and or download them in to the Files app, using your on-device (iPad built-in hard drive space) storage, there are still a huge amount of apps, completely aside from Logic Pro, or Files, or… anything else available, off hand, which a person could use to take these raw audio files (specifically audio, we’re dealing with, here - standard formats, such as .wav and .mp3 files) - in short, there’s no other app, amongst everything else out there, that will allow a user to copy an audio file, from one portion of on-device or iCloud storage, in to some of these other apps, for portability, duplication, workflow progression, within some other plugin or filter app, for example. You’ll need AudioCopy for this purpose.

AudioShare

This is the other, companion, and, otherwise, indispensable app, which allows you to fulfill the obvious “receiving” end of the audio file management process - the thing being, is that other apps, as well as the iPadOS built-in app environment, as far as the Files app goes - since everything, essentially, is done within an app, here, in iPadOS. If there is no app for it, then it might just be that the user “just clicked” on something, or perhaps the user is just swiping around, exploring. There’s no extended file management capability, or specialization, for working with audio files, except for these standard and necessary apps, such as AudioShare. This app allows users to share audio files both locally - on-device, and within the iPadOS Files environment, which includes access to cloud storage (iCloud, Google Drive, Adobe Creative Cloud, etc.), on-device storage, plugged-in storage, etc. AudioShare is the app that will let you complete the copy-and-paste functionality, so to speak, as well as that it is also built in, somewhat as a standard, for higher-level functionality considerations within many audio plugins, filters, and instruments, as far as your file “push” and “pull” drop-down pop-up menus would be concerned - comparable to “Save As” on desktop environments. In this case, in iPadOS, the user would encounter a pop-up window, with various options, as far as where to save the file to, yet, if it were an audio file, the user would be significantly limited, as far as choices, as to destination apps, if the user didn’t have this app. There’s no way around it.

That being the case, that’s it, as far as stuff like that goes.

Now, we can explore common-use case scenario plugins, instruments, and apps.

Brusfri - noise-cancelling of an audio signal (microphone input, for example)

One of the most common pro audio use case scenarios is handling the signal-to-noise ratio of every recorded audio track. If you’re hot on microphones for your iPadOS device to connect to, you can jump to that section here (Title Link). There are somewhat limited, cheap-y, to moderately professional-grade quality mic’ing solutions available, depending on which model iPad device you’re working with, what connectivity, therefore, it uses - although, these days, … hmm… 🤔 actually- make sure to not try this out, for yourself - don’t go on a mean search and research binge dive, out in to the internet, to figure out as much, on your own - I’ll update folks when things change, but I really ought to make this clear - there’s not much of a really suitable Bluetooth microphone device hookup capability for iPadOS audio monitoring and recording - meaning, specifically, you cannot “be” the recording artist, “and” hear yourself, at the same time, with Bluetooth, specifically. Sure, there’s a lot of cool little bitsy hardware earbuds, and stuff, that are available, but keep in mind - Logic Pro for iPadOS was just released yesterday, and better solutions will arrive, over time, but a different authority manages the standards, development, and production of those hardware and communication / connectivity things. If you’re trying to get in to manufacturing hardware - let’s face it: some folks just can’t help but check out the scene, when it comes to that sort of thing 🤯😬🤷. I used to do that sort of thing, also.

Brusfri, the app, would easily cancel out so many considerations that a user would have, aside from obtaining any wired microphone that the user could get to rationally connect to their iPad, for their pro audio workspace environment to really have its basic, essential functionality - iPad and microphone, that is, connected by a wire. It’s not so old or useless an idea this point, to be sure. 

What Brusfri does, essentially, is exactly what, for example, a good Mastering / Channel Strip Compressor/Limiter would do, with a fairly simple layout, and premise - here, the basis is: run the audio input feed, or audio track, that’s already been recorded, and click the “ear” thing. It’ll cancel out an appreciable amount of background noise. In semi-pro audio, on mobile, at this point, obtaining a “modest” and “noisy” (crappy, even, or not “ideal”) recording is fairly standard. Brusfri largely makes that circumstance largely seem to fade away, and the audio input feed, or audio recording, will instantly sound much cleaner and much more usable. This is one of the indispensable, reliably developed and produced, audio plugin AUv3 apps out there, to include in your audio workflow signal chain.

Updating…

June 21, 2023 - some inspiration to throw together some kits (or, you could wait for me to do it, and upload some patches) - a 1.99 GB library of Future Bass Samples, MIDI templates, and more, featuring great sounds to use as starting points in your signal chain, to create Chill Trap and Future Bass tracks. It’ll be our latest group project.

Here’s the Google Drive link:

https://drive.google.com/file/d/11ZDFTC544O1q9ybk2PUrnUfJdVPWHaAq/view?usp=drivesdk