New, for Spring 2025: Yuzu Delight, A Citrus Elixir Fragrance

 

As I’ve been working on refining the bottled version of Eau Pigeonoid, a newer fragrance, which I detail, here, on this blog (the fragrance smells great “neat,” or, applied directly to the skin, although translating that olfactory experience in to a bottled spray product proves challenging), I’m noticing some nice fragrance notes that are coming out of the woodwork, as I work to simplify the formula. Notes like “orange delight,” one of my favorite childhood treats, which I now encounter as a citron/lemon variant (it’s essentially a thickened, sweet jelly of citrus in a bite size, chocolate-covered bar).

It reminded me of a former, although recent attempt at composing a fragrance, one which took on a rich theme: a citrus elixir, with a bouquet of citrus ingredients, headed by yuzu essential oil, following with grapefruit and mandarin, with light floral effects of magnolia, over a base of Tonka bean and cocoa, with some black pepper, for spice, and blackcurrant bud, to enliven and freshen the scent’s mood and profile.

The original conception of iPigeon.institute’s “citrus elixir.”

In my latest purchase, I revisit the citrus elixir theme, as a reconstitution, and, as a refinement. For example, this time around, I have a much more well-resourced set of ingredients. I’m using yellow champaca absolute instead of magnolia, so I’m excited to see how this take on a citrus elixir “Yuzu Delight” will turn out, with much of the skeleton of the fragrance, otherwise, remaining the same.

Spring ‘25 New Fragrance Releases: Announcing the “Eaux Caïnes” Line of products.

The Eaux Caïnes Spring 2025 re-release and upcoming product developments feature iPigeon.institute’s most deeply heartfelt, and aesthetically peculiar, as it were, offerings of fragrance products that lean heavily upon various scholarly research aspirations that have been brewing for years, now - here, coming to fruition with a bountiful assortment of novel, specialty, and rare aroma compositions, the so-called “Eaux,” collectively. 

The particular tendrils of etymology that underlie these new products, from my research and development arms of the company’s investments draw richly upon some of the youthful charm and aesthetic of the initial formative years in iPigeon.institute’s establishment, where illustrious and complex aptitudes of far reaches in to literary and cultural contexts drew up grand imagery of what our current reaches in scholarship, given technology, world literature, and language, in short, construe for us, at the ever-establishing new horizons in technology, and the power of transliteration, with its attempts to bridge those cultural gaps. 

I had become a figuratively faune sauvage scholarly pigeon-lover, intent on staking a speculative claim upon the world of high culture, with my niche in tow. As this blog’s archives of former years’ articles will show, it was a florid imaginative and speculative space, which documents the youthfulness I felt, for dedicating myself to feeding the birds, as a self-induced, dedicated task that I put myself up to, whereas I found myself in a hopelessly aught-else place and period of time, in life, of deep introspection, and an affinity for scholarship on my own time, making up for lost years of ineptitude and distractibility that I found myself in, as a former graduate school university dropout, in Music Composition. Back then, the demands of my studies curriculum were far beyond my years and capabilities to keep up with, and I found myself falling shamefully behind in showing up, appropriately, for class. Despite this, I was given some seeds of intellect and of discovery that would resurface, during the current organization’s establishing years, as a grand tapestry of inquisitive and far-reaching horizons of illumination, coming to light, now that many years of subconscious failures and lacking skills had tempered, within me. In short, I was shown many wise lessons of worldly cultural scholarship, through my academic years, in attending school, that would rise up, to the surface, to be requited by a more mature take on the topics and discussions of years past. 

Back then, I pondered over the matters of life that faced me, bleakly - could I, if I was given some other, alter-ego nurturing environment “concurrency” of upbringing and of comprehension, have averted so many disasters and failures that I faced, in life, for being a drug addict? I feel that this is where many individuals, of this place in time, colloquially, would care to consider, in life. This is where I find common ground with many other people, in life. 

In hindsight, I can chalk up my university years as shortcomings of a more esteemed purpose and path in life, whereas my skill sets and strengths would naturally take many more years to bear fruit, given the extents of my nurturing environment’s essential boundaries. A certain slice of scholarship would duly have been seen to outperform me, whereas the academic environment of graduate school, and, of college, itself, bore down on me, whereas I found myself often underprepared and at a loss for words, for class discussions and presentations. 

Now, the technology is far more accommodative, and I find myself, paced with less anxieties over performance in competitive learning environments, whereas I always take to enterprising ways, naturally, as a merely “somewhat” faithful dictaphone representationalist of music, as art, whereas the study materials opened new avenues in to deeper foundations of music, as communication, and as representative art, which I draw relevance upon, with my transliterative novelty enterprises, in my current workflow environment. 

Whereas, the internet, and our scholarly literature, given our place in life, and, in time, wherein we have the potential to inherit, or invent, novelty, still; I’d refer back to a notion I had come across, in my research, where novelty itself, as a term, would eventually see an ironic end of life extent, in its outcomes, as the procurement and development of intellect and of knowledge, whether organic, or artificial, or otherwise, at least, ex tempore, of natural, or of conceivable literature and knowledge base, in short, would see an exhaustive show of contributions, such that every ends and means of scholarship and etymology would someday see its full and human potential; things that we could attain, for ourselves, as denizens of the era of which we are provided, given accessibility and the internet; of technology and of scholarship. 

These complexities flourished through my mind, as I found myself, a young man, struck with the inescapable fate of having failed in former enterprises, requiring a paring down of expectations, and some time for reflection and accountability of what life had come to, as for myself. Essentially, it was a humbling time of dissociation from the loud and outspoken attributes of my character, and subsequent personality, which had failing associations weighing down upon my weightier soul of introspection, where I had smeared over some of the fragile and more humble aspects of living, and of life’s potential, that found themselves in untimely environments that sought recreation elsewhere, with similarly historically youthful expressions that presented themselves, given the weight of so many things that I had been shown precedence of priority, in considerations that time offered me, now that I found myself undoubtedly singular and solo, fraught with a dialectical of thoughts and suggestions of an abundant resource, in variety. 

Such backdrops are the fundamental intentions behind the “Eaux,” [oʊ] or “waters,” collectively, line of fragrances, drawing upon inspirations found in some studies that bear down on the French culture and traditions in aesthetic finery, and, with their contexts of cultural aesthetics, and of the stories we find, looking back, of the lives of the people, both renowned and undiscovered, whereas the world of literacy and imagination offered unique and untold dramas of the human condition, of which we would someday find subsued, in the eventual domination of intelligence acquisition, and what a rich resource to draw upon, should we be skilled in understanding. 

One of the mentors of my lost years, of soul-searching, and subsistence-seeking, fancied himself [oʊ] (short for O.G., American slang for a common sort of man, who had seen hard times and incarceration in life). I remember him for his gentle demeanor and handling of me, as a young inquisitive sort, in to gang life and culture, back around the years leading up to 2007, or so, when crack cocaine was a prized subculture feature of the part of L.A. that I had frequented. I draw upon my fondness for “O,” because he departed my life, unbeknownst, and into the void, suddenly, when I lost contact with him, during the proceedings of law enforcement interventions in to the crack cocaine subculture and gang affiliated behaviors that had taken over some streets, within some confined areas of Los Angeles, on many frequent nights, citing the dues to crime and addiction that would rack many people’s lives and finances, of that era in Los Angeles’ cultural history. “O,” as he referred to himself as, to me, had broken both of his fists, against a car’s windows, (this had happened in front of me, on some nights), where he had become frustrated with drug deals with passing vehicles - one of the characteristic and defining features of this gang culture’s aptitudes, in the neighborhood). Being that he departed from my life, before I saw him through, in hospitalization and recovery from his injuries, I felt a loss, for him, and I’d despaired over his wellness and outcomes in life, being that he didn’t make it, for some time, to a hospital, on his own, during the weeks subsequent to his self-injuries, and the transformative effect that the law enforcement intervention “crackdown” had had on the continued showings of crack cocaine sales, in the community. It was a stark transition in to a sobering era, whereas the streets were seen to be liberated from takeovers by drug-dealing gangs and associated cartel. 

The smell of “Eaux caines,” otherwise, a transliterary mash-up of happenstance and terminology, long story short (it will go untold, for the time being), essentially referring to the scent of the “Eaux:” or, “waters,” as is common French terminology, in fragrance, and in perfumery, as commonly seen in the prominence of eaux de colognes, which is industry nomenclature for a 2%, or more, dilution of fragrance concentrate in solution, typically alcohol, in men’s fragrance. Here, the eaux (“ohs”), in this instance, in linguistics usage, take on the lighthearted and bold nature of the men and women of that place in time, out on the streets, as the legacy of the composition and intrinsic nature of the fragrance line will construe; I’ll return to that subject some other time. 

It’s a topic much better left to a skilled speaker and distinguished scholar, perhaps, which I am not, currently; someone who could deliver the speech more profoundly, and with better composure than I have, for speaking, for the foreseeable years to come. Yet, despite this, I’ve made the investment of time, and some funds, recently, to have produced another, and, more sustainable, product development round of this speculative subject area in fragrance, and in ethnographic-anthropological exploits and discoveries in chemistry, and of associated pharmacology, based upon, well, speculative, and, amateur, caricatures, of fragrance-making scholarship and studies, that I could make out, which I find - are centered upon the fragrance of a crack pipe. “La Caine” is also a commune, in France, very sparsely populated, which features a nunnery and small Roman Catholic Church, attesting to the stark contrasts of religious devotion, which underlie so much of our narratives, here in America, as well - particularly when we find ourselves in times of hardship.

More to come, on this, at some point. I just wanted to inform the people, once again, in case folks were curious as to what I’m wearing, scent-wise, when I go out. 😏

- on the the heels of the emergence of the subject area of Proto-semiotics.

Exciting new things to do with Logic Pro for iPadOS 17. (scratch, updating)

Following up on my first article for the Logic Pro for iPad Users group, on Facebook, here, in this article, I’ll detail some notions I’ve come across, through years of maintaining interest in topics ranging from the obvious - music creation and audio recording, for example, to more recent developments and prospects for the future of our digital and mobile lives - topics such as IoT and edge technology, in incorporating musical creativity in new and largely unexplored reaches in to people’s lives. In doing so, we’ll examine some of the existing hardware devices and software platforms that exist, currently in the summer of 2023, and I’ll offer my best estimations, or experiences, in working with, or, for studying, these extended-use case scenarios, which offer the creative minds of music-making, on Logic Pro, exciting and stimulating new horizons to explore, all within hands’ reach, on our iPadOS devices.

First of all, I’m composing this article, as Apple’s annual WWDC (Worldwide Developer Conference) 2023 is taking place (June 5th-9th). Yesterday, at the outset of the conference, we got some exciting peeks at brand-new hardware technology (VisionOS and updates to existing laptop and desktop hardware), which I won’t get in to, at the time being; here, for our purposes, I’ll detail some of the highlights, features-wise, which make the new iPadOS 17 a rich environment to perform some distinct and unique purpose-fulfillments in the development workflow, and how these tablet-specialties, as I’ll call them, figure in to creativity and professionalism for us, as musicians, and for iPadOS - our chosen platform for concentrating on certain aspects of development. 

Keep in mind - 

This article will cover a lot of ground, for newcomers to the audio and MIDI world hosted on Apple’s mobile iOS and iPadOS platforms - both largely similar and comparable to one another, yet, given some extended use-case scenarios, for either one - some things become distinctly advantageous, when considering Apple’s tablet designs, for the sake of becoming reinvested in digital audio workstations (i.e.Logic Pro, for iPadOS). 

Aside from the obvious advantages of having a truly responsive multitouch display as the workspace, as well as the user interaction workflow environment, there are several advantages to starting off with a new, and updating app installation iPadOS audio environment, where the general third-party plugin and instrument apps are known as AUv3 (Audio Unit version 3) and IAA (Inter-App Audio) - these are the largest standards established, as far as iOS / iPadOS audio is concerned; although, given the boutique-ish (somewhat) form of app development, given years of having established a reputation and user base, amongst App Store audio buffs, as far as generalized audio files needs, per se - a few of these small-purposed apps bear the weight of acts taken for granted, in coming from a desktop pro audio workflow environment. Here they are (there’s only a few, or several, heh heh 🤯😳): 

AudioCopy

In fashioning an abstraction of a complete newcomer’s (to iPadOS pro audio, that is), standpoint, imaginably, people would approach the performance and session considerations, depending on the types of background and skill sets that the user has. Something that isn’t immediately considered, perhaps, is translating audio files over, from audio that’s already been recorded - this is, for example, well understood, as master tracks, taken from session recording microphones - one track, each, to every microphone. So, there would be a kick drum track, perhaps some more drum tracks, a vocal track, guitar and bass amp tracks, etc. So, if you’re able to get these tracks, per se, in to your iCloud account, and or download them in to the Files app, using your on-device (iPad built-in hard drive space) storage, there are still a huge amount of apps, completely aside from Logic Pro, or Files, or… anything else available, off hand, which a person could use to take these raw audio files (specifically audio, we’re dealing with, here - standard formats, such as .wav and .mp3 files) - in short, there’s no other app, amongst everything else out there, that will allow a user to copy an audio file, from one portion of on-device or iCloud storage, in to some of these other apps, for portability, duplication, workflow progression, within some other plugin or filter app, for example. You’ll need AudioCopy for this purpose.

AudioShare

This is the other, companion, and, otherwise, indispensable app, which allows you to fulfill the obvious “receiving” end of the audio file management process - the thing being, is that other apps, as well as the iPadOS built-in app environment, as far as the Files app goes - since everything, essentially, is done within an app, here, in iPadOS. If there is no app for it, then it might just be that the user “just clicked” on something, or perhaps the user is just swiping around, exploring. There’s no extended file management capability, or specialization, for working with audio files, except for these standard and necessary apps, such as AudioShare. This app allows users to share audio files both locally - on-device, and within the iPadOS Files environment, which includes access to cloud storage (iCloud, Google Drive, Adobe Creative Cloud, etc.), on-device storage, plugged-in storage, etc. AudioShare is the app that will let you complete the copy-and-paste functionality, so to speak, as well as that it is also built in, somewhat as a standard, for higher-level functionality considerations within many audio plugins, filters, and instruments, as far as your file “push” and “pull” drop-down pop-up menus would be concerned - comparable to “Save As” on desktop environments. In this case, in iPadOS, the user would encounter a pop-up window, with various options, as far as where to save the file to, yet, if it were an audio file, the user would be significantly limited, as far as choices, as to destination apps, if the user didn’t have this app. There’s no way around it.

That being the case, that’s it, as far as stuff like that goes.

Now, we can explore common-use case scenario plugins, instruments, and apps.

Brusfri - noise-cancelling of an audio signal (microphone input, for example)

One of the most common pro audio use case scenarios is handling the signal-to-noise ratio of every recorded audio track. If you’re hot on microphones for your iPadOS device to connect to, you can jump to that section here (Title Link). There are somewhat limited, cheap-y, to moderately professional-grade quality mic’ing solutions available, depending on which model iPad device you’re working with, what connectivity, therefore, it uses - although, these days, … hmm… 🤔 actually- make sure to not try this out, for yourself - don’t go on a mean search and research binge dive, out in to the internet, to figure out as much, on your own - I’ll update folks when things change, but I really ought to make this clear - there’s not much of a really suitable Bluetooth microphone device hookup capability for iPadOS audio monitoring and recording - meaning, specifically, you cannot “be” the recording artist, “and” hear yourself, at the same time, with Bluetooth, specifically. Sure, there’s a lot of cool little bitsy hardware earbuds, and stuff, that are available, but keep in mind - Logic Pro for iPadOS was just released yesterday, and better solutions will arrive, over time, but a different authority manages the standards, development, and production of those hardware and communication / connectivity things. If you’re trying to get in to manufacturing hardware - let’s face it: some folks just can’t help but check out the scene, when it comes to that sort of thing 🤯😬🤷. I used to do that sort of thing, also.

Brusfri, the app, would easily cancel out so many considerations that a user would have, aside from obtaining any wired microphone that the user could get to rationally connect to their iPad, for their pro audio workspace environment to really have its basic, essential functionality - iPad and microphone, that is, connected by a wire. It’s not so old or useless an idea this point, to be sure. 

What Brusfri does, essentially, is exactly what, for example, a good Mastering / Channel Strip Compressor/Limiter would do, with a fairly simple layout, and premise - here, the basis is: run the audio input feed, or audio track, that’s already been recorded, and click the “ear” thing. It’ll cancel out an appreciable amount of background noise. In semi-pro audio, on mobile, at this point, obtaining a “modest” and “noisy” (crappy, even, or not “ideal”) recording is fairly standard. Brusfri largely makes that circumstance largely seem to fade away, and the audio input feed, or audio recording, will instantly sound much cleaner and much more usable. This is one of the indispensable, reliably developed and produced, audio plugin AUv3 apps out there, to include in your audio workflow signal chain.

Updating…

June 21, 2023 - some inspiration to throw together some kits (or, you could wait for me to do it, and upload some patches) - a 1.99 GB library of Future Bass Samples, MIDI templates, and more, featuring great sounds to use as starting points in your signal chain, to create Chill Trap and Future Bass tracks. It’ll be our latest group project.

Here’s the Google Drive link:

https://drive.google.com/file/d/11ZDFTC544O1q9ybk2PUrnUfJdVPWHaAq/view?usp=drivesdk

Justifiable inflation, and the boutique-ifying of 7-11. (Product Review[s]) updating.

Sure, … (whatever, we all get flown all over, all expenses paid, and shit, types of stuff),

but who ever thought that Snak Club would come back, in luxe form, as the flagship product line, in the iconic staple of convenience stores, in a bold new Los Angeles, where inflation is king: 2 liters are $3.99 (but they’re cold), kombucha is, like, $5.00, because Pressed Juice has to be $6.99, and people would love to excuse themselves from working, in person, forever, any more, for any organization, corporation, entity, or even just a simple person-employer, only to remake themselves and deny that it ever happened - just wait, though, and check out the local 7-11, before, even, if - just do it, because these chili-infused gummy rings aren’t nearly quite-overdone. Those were gummies of our upbringing, and for how gummy and nice and chewy these ones are - just… awrr 🐕.  

Wow, Snak Club came back like that? For $3.99 a bag? I could have done worse, but I couldn’t have much done better, on one hand. 

What, you don’t eat, or something, still? 

Recent PubMed National Center for Biotechnology Information (NCBI) Articles Detailing the Roles that Real and Robotic Pigeons Live Out, in Burgeoning our Augmented Reality Future.

Although, 

in one of iPigeon.institute’s initial and formative published purpose and mission statements, I’d estimated that the “real” iPigeon consumer product release would be decades away - from that time, just over 4 years ago, to the date (June 14th, 2018, it was, when I’d posted that article, and it’s July 2nd, 2022, today, when this article was initially published), I’d been a comparatively young and pretentious public relations fawn, of a blog publisher, with great and vast ideas, of the mind, whereas I’d hoped, somewhat, that I was on the cutting edge of the robotic pigeon / augmented reality consumer product topic and public spectacle that would arise, as a result of this phenomenon and development, in society - it turns out, however, that academic and medical literature predates my claim-staking efforts. I’m always playing catch-up, in my relentless pursuit of knowledge, within the industry of biotechnology, apparently 👀🫣.

Here are some article leads pertaining to predating and since-then research and discovery developments upon the topic and subject matter of augmented reality “real” pigeons, robotic pigeons, and “real” pigeons, as some of the fore-bearing burdening birds (or beasts, as it were) of our developing technologies of correlated subject matter, such as Brain-Computer-Interfaces and remote-controlled brain interfaces, as well as some of the historical, previously classified, documentation, of our nation’s literary and intelligence heritage, which also predates even these late-breaking developments in pigeon-assisted technology. 

Historical background:

The pigeon, as a species, has maintained an illustrious career in the annals of the U.S. and British armed forces and intelligence agencies, dating back (upon a quick-search basis) to at least World War 1. 

A manual detailing the implementation and service basis of the pigeon amongst British armed forces, dating back to World War I. (Courtesy of the British Library).

In the United States, recently declassified documents detail the pigeons’ role in developing camera and image-based surveillance and recognizance intelligence, from a more advantageous position than could have been gained through other established technology, such as airplanes. 

Such documentation lends credence to the fact of that the pigeon has long been one of our stalwart lab and combat environment animals which have helped burgeon technology developments and national security efforts. Soon, I’ll update this article with some links to journal articles that cite pigeons as research subjects and as physics and physiognomical models for establishing remote sensing recognizance intelligence, brain-computer interfaces, and wirelessly controlled augmented intelligence experiences, thus paving the way for humanity’s progress.

How to compose a proper personals and classifieds ad for success.

Last night, I wound up nearly accepting a “hang out” offer, from some guy that sat near me on the train home from Santa Monica. 

The first premise, at issue, here, is that I generally take issue with “guys” and “hanging out,” somewhat as a flat-out decree, being that people who pay attention to me, personally, and as a person - generally, (post-university years, especially) are the types of people who failed at school, they have nothing to do except bet on that I’d be an unrelenting gay hooker, and they sit around, drinking alcohol, taking drugs, laughing amongst themselves with a notion as trivially slight as that, and some forces of networking and psychology get put out, on the loose, and eventually - the victim of such intentions having played out, in life, become the rhetoric upon which demographic typologies are forged, and a litany of followers ensue - as casual stalkers, out on the streets, somehow - “just” how, I’ve never bothered to figure out, but people wound up treating me a little bit differently, today; some guys, for example, and they greeted me, whereas more commonly, it’s typical for people to ignore me, out on the streets. It hadn’t always been like this, I can recall. Here and there, I recall a time, yet not the place, off-hand, where people would greet each other,, much more commonly than we do, in these times. On one hand, Covid-19 caused us to be conditioned for social distancing to have become the standard. The anarchists rebelled against this sort of premise, and they proceeded onward with assaults upon people’s personal and private spaces alike, and even more people than ever started finding ways in which they could keep to themselves, or gather in more exclusive circles than ever - I, for one, being particularly isolated; introverted, by nature, that is, to say, couldn’t possibly suit the sort of personality type discussed in articles that featured accounts of discrete Covid-19 circles being established - I’m a bum; a pigeon-feeding bum, as my most prominent sort of bum, and it’s generally taboo for people of the middle or upper classes to associate with a bum, by and large, although here and there, small tokens of acknowledgment are witnessed, such as considerate food or drink offerings are left out, and, in many cases - recyclables are left out. It’s suggestive of that people would like to see a working person, as well as a hungry person, out of the sort of people who have wound up at the end of their rope, in life - so to speak, and who else, but an otherwise unhoused person would have to seek out novel accommodations of food and general interests? For one, a stalking victim would have to, a knave, a mentally I’ll person, here and there - a few, or several types, that is to say. People who were observing me, earlier today, noticed that I was acting out imprints of having been a bum, whereas I had just secured confirmation of that I had a promising serendipitous moment happen for me, in finding a client for my gardening services offer, which I’d put up on craigslist, the other day. My budget is tight, but it’s only $5 for a services ad, and I figure that craigslist features a rich trawl of both interested, as well as valid - employers, for jobs, big and small, as well as clients of all sorts - I’ve personally landed several thousand craigslist gigs, to be sure.

Historically, craigslist had been acknowledged as one of the Big 5, of the internet - inclusive of Google, Apple, Microsoft, hmm… I don’t remember the other one, but craigslist had been notably mentioned, in my encounters with content, on the internet, of having that distinction. Today, it apparently stands in the top 20 - not bad.

The iPigeon.institute online store (preview launch).

 I'm launching a private preview to my new online store, which will be offering essential oil and fragrance absolute personal misting bottle aromatherapy and personal care products, such as natural soaps, and other toiletry products, to come, in the near future. 

Here is the temporary (private) link to preview the online launch of my e-commerce store:

https://ipigeoninstitute.mybigcommerce.com/?guestTkn=8cihzrus4z

The store aims to provide direct-to-consumer deals on personal and home aesthetics and care products, with iPigeon.institute-unique flair and artisan | boutique exclusivity. Consumers benefit from my constant efforts in sourcing quality ingredients and from my dedications to research and online publishing, in which I discover online resources which have led me to be able to provide affordable luxury products, with all-natural ingredients, of high quality and purity, hand-made with care and with attention to the utmost standards in manufacturing.