iPigeon.institute blog: novelties

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Showing posts with label novelties. Show all posts
Showing posts with label novelties. Show all posts

Tuesday, March 25

Spring ‘25 New Fragrance Releases: Announcing the “Eaux Caïnes” Line of products.

The Eaux Caïnes Spring 2025 re-release and upcoming product developments feature iPigeon.institute’s most deeply heartfelt, and aesthetically peculiar, as it were, offerings of fragrance products that lean heavily upon various scholarly research aspirations that have been brewing for years, now - here, coming to fruition with a bountiful assortment of novel, specialty, and rare aroma compositions, the so-called “Eaux,” collectively. 

The particular tendrils of etymology that underlie these new products, from my research and development arms of the company’s investments draw richly upon some of the youthful charm and aesthetic of the initial formative years in iPigeon.institute’s establishment, where illustrious and complex aptitudes of far reaches in to literary and cultural contexts drew up grand imagery of what our current reaches in scholarship, given technology, world literature, and language, in short, construe for us, at the ever-establishing new horizons in technology, and the power of transliteration, with its attempts to bridge those cultural gaps. 

I had become a figuratively faune sauvage scholarly pigeon-lover, intent on staking a speculative claim upon the world of high culture, with my niche in tow. As this blog’s archives of former years’ articles will show, it was a florid imaginative and speculative space, which documents the youthfulness I felt, for dedicating myself to feeding the birds, as a self-induced, dedicated task that I put myself up to, whereas I found myself in a hopelessly aught-else place and period of time, in life, of deep introspection, and an affinity for scholarship on my own time, making up for lost years of ineptitude and distractibility that I found myself in, as a former graduate school university dropout, in Music Composition. Back then, the demands of my studies curriculum were far beyond my years and capabilities to keep up with, and I found myself falling shamefully behind in showing up, appropriately, for class. Despite this, I was given some seeds of intellect and of discovery that would resurface, during the current organization’s establishing years, as a grand tapestry of inquisitive and far-reaching horizons of illumination, coming to light, now that many years of subconscious failures and lacking skills had tempered, within me. In short, I was shown many wise lessons of worldly cultural scholarship, through my academic years, in attending school, that would rise up, to the surface, to be requited by a more mature take on the topics and discussions of years past. 

Back then, I pondered over the matters of life that faced me, bleakly - could I, if I was given some other, alter-ego nurturing environment “concurrency” of upbringing and of comprehension, have averted so many disasters and failures that I faced, in life, for being a drug addict? I feel that this is where many individuals, of this place in time, colloquially, would care to consider, in life. This is where I find common ground with many other people, in life. 

In hindsight, I can chalk up my university years as shortcomings of a more esteemed purpose and path in life, whereas my skill sets and strengths would naturally take many more years to bear fruit, given the extents of my nurturing environment’s essential boundaries. A certain slice of scholarship would duly have been seen to outperform me, whereas the academic environment of graduate school, and, of college, itself, bore down on me, whereas I found myself often underprepared and at a loss for words, for class discussions and presentations. 

Now, the technology is far more accommodative, and I find myself, paced with less anxieties over performance in competitive learning environments, whereas I always take to enterprising ways, naturally, as a merely “somewhat” faithful dictaphone representationalist of music, as art, whereas the study materials opened new avenues in to deeper foundations of music, as communication, and as representative art, which I draw relevance upon, with my transliterative novelty enterprises, in my current workflow environment. 

Whereas, the internet, and our scholarly literature, given our place in life, and, in time, wherein we have the potential to inherit, or invent, novelty, still; I’d refer back to a notion I had come across, in my research, where novelty itself, as a term, would eventually see an ironic end of life extent, in its outcomes, as the procurement and development of intellect and of knowledge, whether organic, or artificial, or otherwise, at least, ex tempore, of natural, or of conceivable literature and knowledge base, in short, would see an exhaustive show of contributions, such that every ends and means of scholarship and etymology would someday see its full and human potential; things that we could attain, for ourselves, as denizens of the era of which we are provided, given accessibility and the internet; of technology and of scholarship. 

These complexities flourished through my mind, as I found myself, a young man, struck with the inescapable fate of having failed in former enterprises, requiring a paring down of expectations, and some time for reflection and accountability of what life had come to, as for myself. Essentially, it was a humbling time of dissociation from the loud and outspoken attributes of my character, and subsequent personality, which had failing associations weighing down upon my weightier soul of introspection, where I had smeared over some of the fragile and more humble aspects of living, and of life’s potential, that found themselves in untimely environments that sought recreation elsewhere, with similarly historically youthful expressions that presented themselves, given the weight of so many things that I had been shown precedence of priority, in considerations that time offered me, now that I found myself undoubtedly singular and solo, fraught with a dialectical of thoughts and suggestions of an abundant resource, in variety. 

Such backdrops are the fundamental intentions behind the “Eaux,” [] or “waters,” collectively, line of fragrances, drawing upon inspirations found in some studies that bear down on the French culture and traditions in aesthetic finery, and, with their contexts of cultural aesthetics, and of the stories we find, looking back, of the lives of the people, both renowned and undiscovered, whereas the world of literacy and imagination offered unique and untold dramas of the human condition, of which we would someday find subsued, in the eventual domination of intelligence acquisition, and what a rich resource to draw upon, should we be skilled in understanding. 

One of the mentors of my lost years, of soul-searching, and subsistence-seeking, fancied himself [] (short for O.G., American slang for a common sort of man, who had seen hard times and incarceration in life). I remember him for his gentle demeanor and handling of me, as a young inquisitive sort, in to gang life and culture, back around the years leading up to 2007, or so, when crack cocaine was a prized subculture feature of the part of L.A. that I had frequented. I draw upon my fondness for “O,” because he departed my life, unbeknownst, and into the void, suddenly, when I lost contact with him, during the proceedings of law enforcement interventions in to the crack cocaine subculture and gang affiliated behaviors that had taken over some streets, within some confined areas of Los Angeles, on many frequent nights, citing the dues to crime and addiction that would rack many people’s lives and finances, of that era in Los Angeles’ cultural history. “O,” as he referred to himself as, to me, had broken both of his fists, against a car’s windows, (this had happened in front of me, on some nights), where he had become frustrated with drug deals with passing vehicles - one of the characteristic and defining features of this gang culture’s aptitudes, in the neighborhood). Being that he departed from my life, before I saw him through, in hospitalization and recovery from his injuries, I felt a loss, for him, and I’d despaired over his wellness and outcomes in life, being that he didn’t make it, for some time, to a hospital, on his own, during the weeks subsequent to his self-injuries, and the transformative effect that the law enforcement intervention “crackdown” had had on the continued showings of crack cocaine sales, in the community. It was a stark transition in to a sobering era, whereas the streets were seen to be liberated from takeovers by drug-dealing gangs and associated cartel. 

The smell of “Eaux caines,” otherwise, a transliterary mash-up of happenstance and terminology, long story short (it will go untold, for the time being), essentially referring to the scent of the “Eaux:” or, “waters,” as is common French terminology, in fragrance, and in perfumery, as commonly seen in the prominence of eaux de colognes, which is industry nomenclature for a 2%, or more, dilution of fragrance concentrate in solution, typically alcohol, in men’s fragrance. Here, the eaux (“ohs”), in this instance, in linguistics usage, take on the lighthearted and bold nature of the men and women of that place in time, out on the streets, as the legacy of the composition and intrinsic nature of the fragrance line will construe; I’ll return to that subject some other time. 

It’s a topic much better left to a skilled speaker and distinguished scholar, perhaps, which I am not, currently; someone who could deliver the speech more profoundly, and with better composure than I have, for speaking, for the foreseeable years to come. Yet, despite this, I’ve made the investment of time, and some funds, recently, to have produced another, and, more sustainable, product development round of this speculative subject area in fragrance, and in ethnographic-anthropological exploits and discoveries in chemistry, and of associated pharmacology, based upon, well, speculative, and, amateur, caricatures, of fragrance-making scholarship and studies, that I could make out, which I find - are centered upon the fragrance of a crack pipe. “La Caine” is also a commune, in France, very sparsely populated, which features a nunnery and small Roman Catholic Church, attesting to the stark contrasts of religious devotion, which underlie so much of our narratives, here in America, as well - particularly when we find ourselves in times of hardship.

More to come, on this, at some point. I just wanted to inform the people, once again, in case folks were curious as to what I’m wearing, scent-wise, when I go out. 😏


- on the the heels of the emergence of the subject area of Proto-semiotics.

Tuesday, March 21

The neat-o iPigeon.institute homemade instrument of the day (updating).

As an aspiring mobile device-driven music box designer, from various standpoints of development: nature’s form of the instrument (whistles, clicks, pops, bird sounds, and resonant bodies of materials, such as metal, wood, etc.), digital design of the emulated instrument (physical modeling, synthesized sounds, audio recordings, key mappings, and transpositions), as well as the delivery of the app, in a usable form, of some standard such as MIDI, 


I have, on one hand, a lot of free space to work with, given that any individual component would reasonably simulate some sort of more complex mechanical form and instrument structure, for example, my first novelty device:

The Can Drum Bellows Clicks-Flourisher - runs on tar!

Long-time readers of mine know that I’m big in to tar. What a fortunate discovery, to have happened upon this hand-crafted (post-manufacture and consumer use of this recyclable product - an aluminum can) bellows device - a sequential flourish-clicker, if you will, with features of a miniature steel drum; on one hand, percussive, as the form of the instrument was crafted by my own musician’s take on suitable design, for a makeshift tobacco pipe, whereas - as a pipe, for that matter, the instrument is played with the breath. It goes well, with a popping sound, perhaps, as a flourish moment, in a musical idea, whereas the tar, from smoking the aluminum can pipe, with tobacco; then smeared (the tar) across the numerous holes in the can’s smoking bowl section, whereby the can, suitably designed, mind you, would blow out, with a bellows thrust and force design concept, in mind, with both flutish and percussive effects being achieved, in one simple blow. 


It’s a simple thing to construct, yet it takes a musician’s skill and finesse, along with some entrained tonal fine-motor muscle tuning, which goes in to the crushing of the can - perhaps even a newcomer could construct the panels of the body of the instrument well enough; it’s just that this is particularly a musical instrument consideration. The holes are poked through, slightly, with a safety pin, or needle, perhaps, and the blowing happens through the drinking mouthpiece, otherwise, visually, the “top” of the can. 

Try it for yourself! It’s really a cute instrument to pull off, to wow your friends, compatriots, and passersby, alike. Try it with a squeeze pop!


Hear the individual sounds of the instrument, freshly capped with tar, from tobacco!





Wednesday, October 27

Virtual Narcotics Anonymous Meeting: Confronting Asymmetrical

It’s an inevitable outcome, for the person who had lived a finery lifestyle, of some sort, as far as eating good food, and exercising regularly goes. I would consider those two things to be primary traits of fine living, even at its most bare, all else considered - finding the pleasure pursuit, and seeking pleasures, instead, to characterize the persona mocked up as of that finery would be considered upon this basis, rather than a more sustainable and natural lifestyle set of traits be extolled. 

Isn’t it inevitable? At least, in Los Angeles, it would seem so. We’re told that we have the capability to live out all of geography’s wonders, within driving distance of less than a day, out here. The larger picture we’re given, is that we live in the finest nation in the world. But how many people end up subsumed by the glamour lifestyle, at some point, or get swept up in the out-do-doo scandal rags of publication literature and media? At some point, people will demand that these scoundrels pull their own weight, in athleticism, for the fact that … well, I don’t know what. I happened to be personally, thankfully, graced with a fitness mentor of the unexpectedly degree of distinction, in my life. The man’s workouts would challenge a dormant heartbeat into a near-faint, within seconds, no doubt. To have not been attending to these things would become apparent, within minutes. Yet, the man is made of these things, perhaps not forever, though, in the land where people start to believe that life lives on, forever. The land of fables, as it were, that we do, here, by tradition, in this town. 

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