iPigeon.institute blog: history (personal)

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Showing posts with label history (personal). Show all posts
Showing posts with label history (personal). Show all posts

Tuesday, March 25

Spring ‘25 New Fragrance Releases: Announcing the “Eaux Caïnes” Line of products.

The Eaux Caïnes Spring 2025 re-release and upcoming product developments feature iPigeon.institute’s most deeply heartfelt, and aesthetically peculiar, as it were, offerings of fragrance products that lean heavily upon various scholarly research aspirations that have been brewing for years, now - here, coming to fruition with a bountiful assortment of novel, specialty, and rare aroma compositions, the so-called “Eaux,” collectively. 

The particular tendrils of etymology that underlie these new products, from my research and development arms of the company’s investments draw richly upon some of the youthful charm and aesthetic of the initial formative years in iPigeon.institute’s establishment, where illustrious and complex aptitudes of far reaches in to literary and cultural contexts drew up grand imagery of what our current reaches in scholarship, given technology, world literature, and language, in short, construe for us, at the ever-establishing new horizons in technology, and the power of transliteration, with its attempts to bridge those cultural gaps. 

I had become a figuratively faune sauvage scholarly pigeon-lover, intent on staking a speculative claim upon the world of high culture, with my niche in tow. As this blog’s archives of former years’ articles will show, it was a florid imaginative and speculative space, which documents the youthfulness I felt, for dedicating myself to feeding the birds, as a self-induced, dedicated task that I put myself up to, whereas I found myself in a hopelessly aught-else place and period of time, in life, of deep introspection, and an affinity for scholarship on my own time, making up for lost years of ineptitude and distractibility that I found myself in, as a former graduate school university dropout, in Music Composition. Back then, the demands of my studies curriculum were far beyond my years and capabilities to keep up with, and I found myself falling shamefully behind in showing up, appropriately, for class. Despite this, I was given some seeds of intellect and of discovery that would resurface, during the current organization’s establishing years, as a grand tapestry of inquisitive and far-reaching horizons of illumination, coming to light, now that many years of subconscious failures and lacking skills had tempered, within me. In short, I was shown many wise lessons of worldly cultural scholarship, through my academic years, in attending school, that would rise up, to the surface, to be requited by a more mature take on the topics and discussions of years past. 

Back then, I pondered over the matters of life that faced me, bleakly - could I, if I was given some other, alter-ego nurturing environment “concurrency” of upbringing and of comprehension, have averted so many disasters and failures that I faced, in life, for being a drug addict? I feel that this is where many individuals, of this place in time, colloquially, would care to consider, in life. This is where I find common ground with many other people, in life. 

In hindsight, I can chalk up my university years as shortcomings of a more esteemed purpose and path in life, whereas my skill sets and strengths would naturally take many more years to bear fruit, given the extents of my nurturing environment’s essential boundaries. A certain slice of scholarship would duly have been seen to outperform me, whereas the academic environment of graduate school, and, of college, itself, bore down on me, whereas I found myself often underprepared and at a loss for words, for class discussions and presentations. 

Now, the technology is far more accommodative, and I find myself, paced with less anxieties over performance in competitive learning environments, whereas I always take to enterprising ways, naturally, as a merely “somewhat” faithful dictaphone representationalist of music, as art, whereas the study materials opened new avenues in to deeper foundations of music, as communication, and as representative art, which I draw relevance upon, with my transliterative novelty enterprises, in my current workflow environment. 

Whereas, the internet, and our scholarly literature, given our place in life, and, in time, wherein we have the potential to inherit, or invent, novelty, still; I’d refer back to a notion I had come across, in my research, where novelty itself, as a term, would eventually see an ironic end of life extent, in its outcomes, as the procurement and development of intellect and of knowledge, whether organic, or artificial, or otherwise, at least, ex tempore, of natural, or of conceivable literature and knowledge base, in short, would see an exhaustive show of contributions, such that every ends and means of scholarship and etymology would someday see its full and human potential; things that we could attain, for ourselves, as denizens of the era of which we are provided, given accessibility and the internet; of technology and of scholarship. 

These complexities flourished through my mind, as I found myself, a young man, struck with the inescapable fate of having failed in former enterprises, requiring a paring down of expectations, and some time for reflection and accountability of what life had come to, as for myself. Essentially, it was a humbling time of dissociation from the loud and outspoken attributes of my character, and subsequent personality, which had failing associations weighing down upon my weightier soul of introspection, where I had smeared over some of the fragile and more humble aspects of living, and of life’s potential, that found themselves in untimely environments that sought recreation elsewhere, with similarly historically youthful expressions that presented themselves, given the weight of so many things that I had been shown precedence of priority, in considerations that time offered me, now that I found myself undoubtedly singular and solo, fraught with a dialectical of thoughts and suggestions of an abundant resource, in variety. 

Such backdrops are the fundamental intentions behind the “Eaux,” [] or “waters,” collectively, line of fragrances, drawing upon inspirations found in some studies that bear down on the French culture and traditions in aesthetic finery, and, with their contexts of cultural aesthetics, and of the stories we find, looking back, of the lives of the people, both renowned and undiscovered, whereas the world of literacy and imagination offered unique and untold dramas of the human condition, of which we would someday find subsued, in the eventual domination of intelligence acquisition, and what a rich resource to draw upon, should we be skilled in understanding. 

One of the mentors of my lost years, of soul-searching, and subsistence-seeking, fancied himself [] (short for O.G., American slang for a common sort of man, who had seen hard times and incarceration in life). I remember him for his gentle demeanor and handling of me, as a young inquisitive sort, in to gang life and culture, back around the years leading up to 2007, or so, when crack cocaine was a prized subculture feature of the part of L.A. that I had frequented. I draw upon my fondness for “O,” because he departed my life, unbeknownst, and into the void, suddenly, when I lost contact with him, during the proceedings of law enforcement interventions in to the crack cocaine subculture and gang affiliated behaviors that had taken over some streets, within some confined areas of Los Angeles, on many frequent nights, citing the dues to crime and addiction that would rack many people’s lives and finances, of that era in Los Angeles’ cultural history. “O,” as he referred to himself as, to me, had broken both of his fists, against a car’s windows, (this had happened in front of me, on some nights), where he had become frustrated with drug deals with passing vehicles - one of the characteristic and defining features of this gang culture’s aptitudes, in the neighborhood). Being that he departed from my life, before I saw him through, in hospitalization and recovery from his injuries, I felt a loss, for him, and I’d despaired over his wellness and outcomes in life, being that he didn’t make it, for some time, to a hospital, on his own, during the weeks subsequent to his self-injuries, and the transformative effect that the law enforcement intervention “crackdown” had had on the continued showings of crack cocaine sales, in the community. It was a stark transition in to a sobering era, whereas the streets were seen to be liberated from takeovers by drug-dealing gangs and associated cartel. 

The smell of “Eaux caines,” otherwise, a transliterary mash-up of happenstance and terminology, long story short (it will go untold, for the time being), essentially referring to the scent of the “Eaux:” or, “waters,” as is common French terminology, in fragrance, and in perfumery, as commonly seen in the prominence of eaux de colognes, which is industry nomenclature for a 2%, or more, dilution of fragrance concentrate in solution, typically alcohol, in men’s fragrance. Here, the eaux (“ohs”), in this instance, in linguistics usage, take on the lighthearted and bold nature of the men and women of that place in time, out on the streets, as the legacy of the composition and intrinsic nature of the fragrance line will construe; I’ll return to that subject some other time. 

It’s a topic much better left to a skilled speaker and distinguished scholar, perhaps, which I am not, currently; someone who could deliver the speech more profoundly, and with better composure than I have, for speaking, for the foreseeable years to come. Yet, despite this, I’ve made the investment of time, and some funds, recently, to have produced another, and, more sustainable, product development round of this speculative subject area in fragrance, and in ethnographic-anthropological exploits and discoveries in chemistry, and of associated pharmacology, based upon, well, speculative, and, amateur, caricatures, of fragrance-making scholarship and studies, that I could make out, which I find - are centered upon the fragrance of a crack pipe. “La Caine” is also a commune, in France, very sparsely populated, which features a nunnery and small Roman Catholic Church, attesting to the stark contrasts of religious devotion, which underlie so much of our narratives, here in America, as well - particularly when we find ourselves in times of hardship.

More to come, on this, at some point. I just wanted to inform the people, once again, in case folks were curious as to what I’m wearing, scent-wise, when I go out. 😏


- on the the heels of the emergence of the subject area of Proto-semiotics.

Saturday, December 7

A peek at my room at the Russ Hotel.

 I've been assigned to Interim Housing, through the Los Angeles County Department of Mental Health, since around February of this year, after spending a spat of perhaps 8 or 9 months, or so, being out on the streets, wherein I moved out to Century City and Cheviot Hills Sports and Recreation Park, to be specific, around this time (October) of last year. I'd been haunted by voices in my head, throwing me out of town, so to speak, and I was hinged upon negativity surrounding me, within my personal space. All of this was preceded by an apparent overdose, in July, where I don't remember much of what happened, and I lost all of my belongings, including my beloved iPad Pro. I'm only now within sights of recuperating and procuring another iPad Pro, soon, perhaps before the holiday season, if my estimations are seen through to fulfillment, and, that being the case, a large portion of those hopes are already accounted for and paid, or, as good as paid... since I want to have another iPad Pro so dearly (I had to pay off the balance on the one that I lost). 

In any case, my housing wasn't all that friendly towards me, in my first interim housing assignment, and I got thrown out, at the same time that I was taken in to this new place, which has been a huge boon to my wellbeing and progress, both in health and in my work life, which is, essentially, ordering and reviewing products from Amazon, donating blood plasma, and, here and there, recently, I'd gotten in to some tech industry user studies and product use in-person interview studies sorts of things.

Anyways, no one is allowed to come and visit my room, according to the rules, here, but I get the place to myself, and it's located right next to all of the spots I would normally frequent, out here, in the Skid Row portion of Downtown Los Angeles, CA, but I've gotten my room up to fairly impressive interior design status (aside from the slight mess, pictured below; it's just that the space is small, and it's a hassle to reorganize everything. I just wanted to show folks the lighting and the wild array of products that I have, which are nearly organized; at least, as best as I could fit them in and on to things that I use as storage and display shelves). For a decade and a half, or so, now, I've been fortunate enough to, in some way, or other, have the means to develop the aesthetic of my home (when I am housed, that is).

These are my toiletries, fragrance bottles, and my home and living storage and display spaces, with some art work, up top. To the left, I have a mini closet that's full of boxes, currently. Art buffs and art critics might liken the organization and display aesthetic to the "cabinet of curiosities" style.

This is my bed, my slight art exhibition, some messy product box stuff, and, to he right, is my small utility cart, which stores some of my hopes and aspirations in which I fancy I'd do a pop-up shop, and come out with a bunch of products, for the public, somehow; hence, a utility cart with mostly miniature and small knick knacks. I have some lighting set up, here, for decorative effect, and a big lot of nutritional supplements that I take, which I procured from my product reviewing gig.

A different angle of my bed, with knick knacks everywhere, my charging station, nutritional supplements, etc. 
I'm going to be moving to a new place, in November, or so, so I'm planning on doing some fire sale stuff, and giveaways, I suppose, locally, as well. That's my estimation, in any case. My phone service just got cut off, so I'm a bit in limbo, as far as posting items for sale, since the Internet connection I do have access to is spotty and slow, at best. All in all, though, it's hard to stop myself from ordering yet even more items, and, to be honest, I don't even try to stop myself. It's just fun.

Update: October 27th, 2024: I got a new storage rack, for boxes, and I took some cleaner photo close-ups of some of the detail portions of the room. I also got a new panel lighting piece. Plus, I included the digital photo frame of the still life with pigeons image, sitting across from the foot of my bed.

A look at the lighting scheme, in front of my bed - blue, red, and violet-purple.

A lower view of my cabinet space, with a weaving loom (bottom left), and my new shelving racks, with LED lighting for the middle shelves (the lights aren't on, here), a moon-surfaced globe alarm clock and tea kettle, up top. In the middle shelves, there's food and nutritional supplements. 

The MIDI keyboard 🎹, and the still life with pigeons digital picture frame (currently, that's the only image on it).

Some of my current favorites in nutritional supplementation, recently, as seen here, are ML Naturals New Zealand Green Lipped Mussel 50:1 Extract (great for inflammation), ML Naturals Biotin, Sunflower Lecithin, SAM-e, Berberine Phytosyme, Iodine, and pill-form electrolytes (they work well). In the lower left hand side, I have stacks of product boxes, waiting to be sold or thrown out, perhaps. On the center-right-lower portion, I have a display case of some of my aroma chemicals.

A corner view of my fragrance ingredients collection (left), my tea rack (center), currently featuring Lapsang Souchong Black Tea (it's smoky), Coffee Cherry (Cascara), Jasmine Pearl Tea (traditional), and Tulsi Licorice Root (non-caffeinated) and some detail of my cabinet shelving top portion (top, right), which features my cosmetics and toiletries, such as finished and retail colognes and perfumes, perfume single ingredients, a hydrogen generator water bottle, humic acid and minerals, some other supplements, such as liquid zinc. I also have an electric water atomizer, for humidifying the room, when necessary, and to water seeds and seedlings that I grow.

Finally, (I say “finally,” because I’m running out of space, in my room, and I doubt I’ll be adding much more things for very long), I just got my new iPad Pro, and I made a Polycam 3D model of my room. It’s pretty amazing to view, with all the stuff, and the lights, with a 3D .obj file viewer, either online, or as an app; I’m sure it’ll provide some amusement. . 

Here’s a link to the .obj file of the inside of my room. Just download it annd open it in the online web app link, or discover an app for viewing 3D .obj files in Google Play or the App Store. Enjoy!

The spooky psychedelic ceiling cat mashup photo montage, included in the zip file.



Friday, December 6

I finally got an iPad Pro back in my life.

 I probably vaguely covered the topic, as well as that I vaguely disappeared from updating this blog - I'm referring to last year (2023) around the beginning of July, which was when I woke up in a nurse's dorm, completely naked; I was the victim of an overdose (apparently). 

I struggle to recall the precise details of where I went wrong, leading up to this occurrence, after the fact, and I swear that I had identified that my personal belongings were somewhere in the nurse's dorm, yet I was too much out of it, at the time that I was transported to the main part of the hospital by the emergency medical transport personnel, to make certain that my belongings weren't lost in the shuffle, being that these were items most surely attached to my body (I wore my iPad Pro, at the time, inside a bag that I never took off). I can recall that I found a fentanyl-tainted methamphetamine sample inside a  silicone container, nearby where I slept, back then, as a homeless person, but I recall that I consumed it without issue, at the time, and that I went about my day just fine, at the time - not quite in fine form, as I had to resort to shopping-carting around, since my baby stroller broke down (I used the stroller to transport my items around town). The reason I reported to the shopping cart was, ironically, related to my iPad Pro, of back then, to begin with - I had a delinquent bill, with AT&T, and, as I was, at the time, I could only imagine making payments for the device, and for my service, with recycling money (collecting and redeeming recyclable bottles and cans). 

Nowadays, things are different from all of that, lifestyle-wise, and to my benefit - this model iPad Pro is the latest model; it had been a while, since I was out on my own, without an iPad Pro to prop me and my project aspirations up, and make things presentable. My financial situation, on top of my housing circumstances, are much more well-supported, at this point. On one hand, looking at my own iPad Pro, after experiencing, first hand, an Apple Vision Pro, which is fantastic, and a heap of fun to play around in - it's challenging to portray the experience to somebody else, but, in short, it is a truly immersive augmented, camera assisted, operating system, run primarily on eye-tracking technology, whereas the controls of the device (keyboard, scrolling, etc.), unless the user implements the Dwell option, which means, essentially, that the user's gaze, and a certain amount of time afterwards, upon a single object, such as a link, the corner of an app window, a menu list of items(s), basically any individual selectable item within the operating system and apps is gaze-able. The cool thing about the Vision Pro, though, is the augmented reality feature of resizing screens, such as video screens, as can be imagined, I fancy, by referencing my iPad Pro, in my room.

The Christmas season 2 episode of Ted Lasso, a show I came to be fond of, after trying out the Vision Pro.
Now, imagine that the iPad Pro screen is resizable, up to virtually the entire visual field, and all of it (apps and VisionOS) is controllable by camera-tracked fingertip pinches. The resizing feature of it would amount to that there is now a 100-inch projection screen in front of the viewer, all done virtually, with some simple finger gestures, done in thin air. It's quite fantastic, and it makes watching media on smaller devices a bit dull, although the iPad Pro does have a gorgeous color profile to it, and great apps, which aren't matched by other platforms - that's what I really missed about my lost iPad Pro - the accessibility and the diversity of activities that I could achieve in the iPadOS platform, with an iCloud backup installation of an iPadOS that dated back several or more years, which I had been building upon. I lost access to my backup, this time around - I guess that I was fooling around with tightening up the security of my device, out of paranoia, I'm sure; I became convinced that somehow, people were tunneling in, or had peeked over my shoulder, on the bus or train, for example, and I changed my password in to something hopelessly complex, prior to losing my device, due to the hospitalization. 

Anyways, here's to a new season of better photo captures and high-resolution video, as well as advanced graphic and image creation, for the Sticker Time collection. Who knows what'll be next?

Anyways, I purchased up the iPad Pro in-store on Cyber Monday, and it arrived near the end of the week, and I picked it up. I was expecting to slip right in to my trusty old iPadOS installation and configuration, with over 700 apps neatly organized in to folders, if I remember correctly, but I apparently did some screwy stuff with my iPad Pro that I had previously, right before I had my misfortune last year, when I lost my device, and I locked myself out of getting the configuration, itself, (which amounts to a lot of work - the configuration of the apps in to folders). I must have changed the password on myself, or something like that, because I couldn’t sign in with my previous iPad password, for my old device; hence, I lost that section of the work I put in to the device, but it amounts to only the encrypted information on the device, itself, not iCloud-stored information. So, I’ve got to make out a new, or makeshift, configuration with a new set of folders, but I’m definitely glad to have the device back in my hands - this one’s thinner than ever: Apple calls it “impossibly thin,” and it’s practically true, yet it’s a very sturdy device. One of the first things that I did was LiDAR-scan my room and port over my video game accounts, that I started playing on my other, Android devices, and, as luck would have it, the progression ended up being a passing of the torch, completely, from an Android tablet experience - not a bad one, with this Yatiom model tablet, “for kids,” it had been marketed as, yet, it came with 10 GB of RAM: pretty competitive, as well as intelligently put, although my new device has 16 GB of RAM. There were some processes that I was running, in audio, on my old device, that pushed the limits of throughput and available memory (apparently), and I encountered an app crash, from out of running those processes on my old iPad Pro, which only had 8 GB of RAM. In any case, somehow, serendipitously, my Yatiom Android tablet got it’s screen broken, the next time I looked at it, after receiving the iPad Pro, so I’m lucky to not have had a lapse in tablet format and a higher-RAM-running operating system.

R.I.P. to my broken YATIOM Android tablet, which gave out, just as soon as I received my new iPad Pro.



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