Catching up with neat-o fancy apps of web | app UI design, with universal or hybrid platform code bas

For first-time web | app (website-derived apps, or even in-page call stack coding “miniatures,” if you will) - somebody (like, myself), who is a “basically” amateur open-book sort of web app developer | aspirational type of approach to coding (except for Linux stuff, which has only limited-scope usefulness and portability, in this consideration of a use case scenario):

• Many people, I imagine, simply draw a blank, as to what to do, in a case like this, since it was all just some imaginable “great” internet-borne experience.
• Consequently, the urge to come up with something ingenious and worthwhile (worth talking about, perhaps) comes to mind.
• The mind comes to consider that somebody else had already come up with this great idea.
• A search on the Google Play Store or Apple’s App Store commences / newbies might, alternately, opt to try to break in to / subvert their devices security measures, and pursue some sort of disassembly of their device and or it’s operating system, for the sake of coming upon something “better.”

• Ugh.

• Personally, I stopped doing the self-hacking of the device and the disassembly thing, several years ago, since I was always at odds with coming up with something innovative, or productive. 

   To be certain, 

  most decent development ideas have already been derived and established, of an organic nature, independently - just as an offhand fleeting assertion; the notion could extend to as much as that we are always, it may seem, and from here on out - aside from the expectation of that novelty, as a general premise in development, and in discovery; perhaps, innovation, per se, we now have some recent seminal works on the limitations of novelty, given some development task. For example, in the recent years, leading up to this point in time, we have some of the formative rhetoric and ideological and logistical backdrop established, as to what can be attained and wrought, from out of an intersection between novelty and the influence of creative works, from the study:

  Park, D., Nam, J. & Park, J. Novelty and influence of creative works, and quantifying patterns of advances based on probabilistic references networks. EPJ Data Sci. 9, 2 (2020). https://doi.org/10.1140/epjds/s13688-019-0214-8

  “Also, there are implications for the psychological study of novelty as well. It has been known in optimal theory of novelty that the positive acceptance (also called the “hedonic value”) of novelty follows the so-called Wundt curve that increases initially but decreases after a peak, indicating that too much novelty can be off-putting to humans…”

  which includes references to information derived from yet other works:

  Berlyne, D. E. (1969). Arousal, reward and learning. Annals of the New York Academy of Sciences, 159(3), 1059-1070.

  and  Berlyne, D. E. (1970). Novelty, complexity, and hedonic value. Perception & psychophysics, 8(5), 279-286.

  Both, simply for a quick flash of the context’s potential subject areas, which could, or ought to be considered, in this case. 

  Essentially, the topic, in and of itself, supposes that novel ideas are limited, in their usefulness and in their longevity, yet, as we may observe, from the initially-cited article, 

I started my Parfumerie Hobby at www.perfumersworld.com [Product Review]

Being in the business of public relations, at times, keeping up appearances is of the upmost importance. It takes presence, of many shapes, ways, and forms, in order to make a lasting good first impression upon the general public. 

For me, in coming from a background of having been an introverted person, by nature (and I still am), I’ve learned, from my former uplifting relationships, from my past lives, various skills in which they’d been brought up more suitably for the sake of pleasing the crowds, and putting on a public face. I was raised of a different sort; my mother, being Cantonese Chinese, and both my parents conservative, at that: they had a disdain for superficiality and frivolity, and I was commonly reprimanded for trying to put on a colorful ruse, for the public, although my impetuous self sometimes won through, and I indulged various facets of persona marketing staked upon impressive physical features, which I felt would assist me in my business ventures, and bolster my professional identity. 

Over time, I developed various niche hobbies that I pursued for the advancement and development of my aesthetic environment, such as interior design, topiary decorations, cultural effects, and parfumerie creations (aromatherapy). Being that we live in a time of scaling-back, of luxuries, living in smaller spaces causes the aesthetics pursuer to find creative and neat-fitted manners in which we can entertain our public. Social media is one of the ways in which we can communicate our online and internet presence identities to others, and significant advancements in decentralizing and distributing the facets of cultural attainments and establishments have become vast foray for the interested, and, for the ones who are seeking to develop their aesthetic pursuits, using all available resources, the modern digital day and age, in what social media affords us; we are presented with an unprecedented set of opportunities and resource for learning what others have gained, through achievements in aesthetics and design. 

Parfumerie, and aromatherapy, in general, is one of the subtler finery attainments to pursue. Offering gifts of fragrance is one of the ancient and biblically historic rituals and gestures of praise and worship:

Psalm 141:2 NIRV- May my prayer come to You like the sweet smell of incense. When I lift up my hands in prayer, may it be like the evening sacrifice.

A well-intentioned and virtuous resource of fragrant offering, of ourselves, is one of the simplest ways in which we can impress upon others, and gain sociable merit and supply in which we can more easily and effectively strike up a conversation with others, when we are out and about - meeting our peers, out in public, for example. 

I personally carry around four different fragrances, currently: Spicebomb, by Victor & Rolf, Dior Homme, Tom Ford’s Tobacco Vanille, and Miss Dior Absolutely Blooming perfume. I like strong and spicy scents. My latest fascination is with Hermès Citron Noir, and I’m planning on buying it as soon as possible. 

I decided to have

a multi-faceted approach to my own perfumes cottage industry production - partially, and to begin, as an invested experiment, in seeking to imitate, or replicate, somewhat, my favorite fragrances, from scratch. Discovering online resources for procuring fragrance and aroma ingredients is a bit of a challenge, at first, or for the uninitiated. I happened upon (much more easily so) chemistry lab suppliers who carried the ingredients, and curiousities of organic and other sorts of chemistry supplies, of which, for me, was all part of a learning experience. As it turns out, the layperson is able to browse and view chemical suppliers’ web sites, yet upon completing the online checkout process, we (as the layperson) would encounter a barrier in the transaction, as the requirements are that the receiver of the products would have to be some sort of established, certified, and licensed laboratory. 

Www.perfumersworld.com is a great compromise to that barrier from establishing a beginner’s collection of fragrance resource materials. I was able to order sizable amounts of fragrance ingredients (they measure their product prices by gram measurements), suitable enough for me to prepare a variety of sorts of fragrances. I’m somewhat intent on just sitting on, and casually observing, via the olfactory sense, the character and nature of the ingredients, as I read up on the individual substances, and familiarize myself with their properties, as individual components of mixed fragrance compositions, which I will eventually get in to.  

Fragrances fresh from the supplier have some of the manufacturing process’ byproducts upon them, still, as the various products are manufactured via differing methods of extraction and production. I’m planning on letting the products cure, and mature, so to speak, and eventually, the solvent smells will be less prevalent, upon opening and smelling the individual bottles and containers that the ingredients came in. 

The purchasing process with perfumersworld.com was a quick breeze, and quite efficiently managed. I was able to purchase 20 ingredients for under $450, which was my allocated budget for the project. I ordered the package on Friday afternoon, and they were gone for the weekend, but they responded to me on Sunday night, in regards to the shipment. I wanted to add an ingredient, and the customers service representative answered me quickly, and I had my shipment sent out to me on the 11th. Quite quick service, it was. 

As you can see, the shipment moved very quickly, through DHL Express, and I received my shipment within a few short days, which was great on me, for how eager I was to receive the package. 

The supplies smell great (most of them), and I can’t wait to familiarize myself with the individual ingredients, and start creating some fragrance products on my own. 

Attempting to capture the miniature J’acque-ielle-uffalope on photograph after a cock-tarded start to a banger trading day (update to come).

The latest cocq-tard’ed kitsch thing of the moment is a nuclear watershed fuzz closet scrum-bwix*stchkies^~£<_>^ hard-tack pigeon-biscuit (hard-timin’) folio, of some future-generations AI-tech cloud-print materials-ulterior quantum-“heres-and-nows” scala-sorts of risk-assessment data exhibits visualizations, of that I now have the means to capture such creatures-almoste, like an aspiration to become a vegan, yet be graced with a valid, yet urban, and authentic finery’s establishment of a long-bespoken cultural underpinning to surmise its indisputable, humble offering. 

The Jack-a-luffalope, in standard American minds, becomes delineated by its visual form as the lowest and least most common denominator - both base and treble are ostensible cultivar aspirations of the Indo-European-Germanic-Classically Latin etymologies and evolutionary possibilities - it could either have been printed in to a beetle (potato-affined; “potato beetle,” as I’ve discovered, or it could have become a meaty bold ranges and tundras work-bison, with many more evolutions and interventions in play. 

The jackrabbit is the ostensible Adonis youthful breadwinner in this one of many bits and scattered scrummy pieces of all sorts of stuff in the scrum - closet: for technical analysis and scholarly delimination of “from out of a trash-dive closet,” - I still haven’t cleaned up, fully, but I’d assert that I gathered valuables, from the dumpsters, etc., and that many people were simply not raised quite as well as I was, and it’s upsetting the higher ups and potential institutional entity chippers of whatever small cultural means that they might see towards my beneficiary unto myself, for picking up pennies, etc. hmmm...

Anyways, I’ll follow up on my pidginHub.app blog of transliterative creoles-vested niches of publication, about some of the more integrated discrete forms that come to light in the greater socioeconomic forays (chaotically-macro), yet within he scale of one day of (commonly) modern-day trauma, as it had come to be known, the integral formative entities that I’ve dug up, in a day of meted-research and development aux-relevànce on market bangers this week, and of today... 

I’ll leave it at that. 

Cartoon Process (On Line Art)

 - Dans les après-étudiés que cette series-journées predicate.

Creating people-friendly cartoon mockups: for largely untalented artists.

[Contextual preface: This slight one-off treatise in care-of developing line art iconic « social populism-given(ed) » gras d’recursively recombinant-as « had already: has-had been - had happened was (quotably [S-T.R. F#cker {vogue} (burger burger) - once-twice: presenting as have you] » recently scraped « pop » popular culture « fated memes », as might I have imagined in establishing a rote causally casually-correlative Process-Aesthetic assuredly [given] Data-Science era Machine-Learning ML API and SDK semantically hash-relevant needs-to have had been met, for strictly cross-checked and-as discussed in via (this very) preface: contextually arrêté à récursif dans « R » programming statistics-sûrement algorithmically astute - aesthetics-cleared hash valuation; yet, thankfully, all things, given grammar « arrête » and onwards - socially populism - gras-des-les-gens-populaire « c’était l’approuver » the valuation:kitsch well-enough <...> programmatic value good enough to fluff-sérieuse as srsly: serious fluff, while meanwhile, first of all, establishing « at-as minimum » French modernism relatedly (perhaps parents like it) - kitsch art aesthetics, all things valuation considerably arrêter-also inclusive of « of all things » - lé lycéen français, as if to boot, c’est parce qu’il non?

Socially accessible, for the common n’est que ce pas entendre français as « even », yet contextually-relevant récursive considerably arrête, by perhaps an 1.944 division-point decimal distribution of ratio-concomitant -as received competency stated standards had(s) establishment, via the means of the iconic-by-standards Line Art valuation of a self-mock-up aesthetics meme-able relevance index that heralds at minimum: the pro-sociable viability of a Fashionable Bum Athleisure Technical Institute valid actual visibly:bum coffee table small-talk 5-minute craigslist personals kitsch romance « within-bounds » standards-considerate standards-internationale astute development ops-progress as would-be, as seen - a late 201X A.D. definitively populism rote standards establishment, as circa @ # hashtag data science trending topic via social media.

In short, aesthetics appreciably standard arrête enough for a data science geeks aficionados crowd.

]

• Photo - Post shot processing - vectorize; posterize, reduce, render - || post - machine phaze || - (perhaps) - Draw by hand: choose a reduction, i.e. ink brush, line art, (2 colors / monochrome), posteriz, pointillage, crosshatch || or - || chose a render from a stylized quick app thing, such as is common on mobile platforms of operating systématique || post-pwning thé art phase || 
• Keep the drawing on hand, disseminate it to social media using Instagram to test the social commerce and popular, random affection for the image, based on # hashtags. (Usually 5-10 likes within an hour, posted late, on a Saturday night) - is: a fairly reasonable popularity measure and / or it is a gauge of the aesthetic worth of the image itself.

• is it iconic? Could you make an app icon out of it? Would it look good as a stencil? (Woodcut?) Is it suited for greater things than local propaganda? 
• Ostensibly, the image should simply look « alright », at minimum, since it is started by photo and machine-render processes [ad hoc à les choses postériorités de leurs]. If it doesn’t look good, the the composition was lacking, to begin with. 
• Good line art makes for a reasonable personality template to jaunt from, as the artist creates successive hand-wrought attempts at recreating the original; ostensibly by working within the humble (and somewhat unprofessional dream boy / girl ethos of how I, myself do / did the [« original Olde English 800 »] Trump 2017 Pidgy Chicken. It was a ‘lit-by backlight’ trace of a reasonably pure original of a machine-rendered image, « post - » ‘everything’ I could throw at it: here, done with a little more boundaries, a lot more discretion in the control over the bleed, hand-drawn scribble of the ink brush strokes, which lead to humorous, visibly « near-reaching » nods of the hat to an ostensibly universally-known real-world iconic figure: Donald Trump, as Pigeon-Chicken.