Product Review: Wegovy (Semaglutide injection, weekly) for weight loss.

 Recently, I had put on up to over 20 pounds, for having moved in to temporary housing, and for being offered 3 square meals a day, whereas my mealtime was previously more sparse and erratic, and whereas I was previously living a more active lifestyle. I had tried out Metformin, which is another diabetic drug that is also given to patients who have been experiencing weight gain, but I was interested in Ozempic (alternately known as Wegovy, by another maker, which I’ve currently been prescribed), which had been trending recently, in news articles. 

My experience with Metformin was short-lived; since it was prescribed to me as a twice-daily pill, I found that I’d regularly forget to take doses, and so I would sometimes double my dose when I did remember to take it, but I was still missing days of taking the pills, on a regular basis. The backdrop to my interests in maintaining my weight, recently, were mostly of that I was concerned about how quickly I had put on the weight, and I’d been suffering from bouts of feeling nauseous, for going out, which I’d somewhat associated with starting to donate blood plasma, at a donation center, which I’d begun doing regularly, since I moved in to the new home, where I’m still staying. The weight gain happened over about 2-3 months, and, being that it was 20 pounds, and I’d gotten up to weighing 210 pounds, being a 5’8” guy, in height, it was starting to measure strongly in to the obese category. I’d been more used to being around 185, which I’d maintained for a few years, at least, consistently. I was worried that the weight gain would continue, uncontrollably, perhaps due to the changes in lifestyle that I’d taken on, and, coupled with the nausea I was feeling, it had become a prominent concern.

I was excited to hear from my primary care physician, on my Medi-Cal subsidized health plan, that I could receive weekly shots of weight loss medications such as Wegovy, or Ozempic, as it’s otherwise known (it’s called semaglutide, as a generic; all the same), since I’d been reading about people’s experiences with the drug, such as in topics like “Ozempic Face,” which is in reference to a drooping of the face, associated with fast weight loss, over a short period of time, apparently. The reality of the situation, as it seems to work out, at least, in my case, is that patients might feel more full, on a consistent basis, throughout the day, thus requiring less of a feeling of even a need to eat meals on as regular a basis as three meals a day. GLP-1 agonists, which help manage blood sugar levels in Type-2 diabetes patients, are the class of drugs that medications like semaglutide (Wegovy, Ozempic) belong to, and they’ve even been purported to show promise in treating a variety of conditions, such as alcoholism. Even though I don’t drink alcohol, myself, I found these reports to be intriguing. 

I mostly have the impression that a person’s appetite is reduced, with less discomforting side effects of actually skipping meals, as a result. Here and there, I get some effects resembling indigestion, heartburn (burping feelings coming up, from my stomach), etc., but I’ve actually started to have less nausea, and fewer substance use cravings, perhaps akin to the reports on alcohol intake that have been showing up in news headlines. It’s a small price to pay for comfortably being able to skip meals, in order to take the weight back off, and I don’t mind, much, if some parts of me start sagging, due to sagging skin. I’m getting older, regardless. Getting a comfortable pass, from my body’s take on things, coupled with an associated feel of cooperation, in my mindset, that lends itself to weight loss (I’ve already gotten down to 200.8 pounds, after 2 weeks, or so, of using Wegovy). The results seem promising and fast-acting, and I’m optimistic about future quick gains, in losing weight.

Single-use weekly Wegovy injection pens that I was prescribed, to start out my treatment, using semaglutide. Injections are easy; they’re pain free and not difficult.

Neuronify is Back, on iPadOS! Analyzing and Comparing the Efficacy of Two Common Learning Methods - Immersion Versus Self-Quizzing.

 Originally published: 09/21/2021

Every now and then, I get quizzed on knowledge base, perceptual acuity , memory tasks of contexts pertaining to occurrences and developments in my life, and of “seemingly” random tidbits of learning, taxonomy, culture, or lore (otherwise), in my remote-sensing environments which happen upon me.

This sort of thing happens on a regular basis. The remote-sensing quorums are attended by various classes and types of individuals, yet commonly, the topic basis is one of a civil complaint against me, and I find myself chronically stressed out, in life, of various sorts of consequences. The pursuit of an ever more leisurely outlook and disposition, in life, is an obvious lure for me, and unfortunately, I find myself deprecating in to former and legacy modes of behaviors, such as seeking novel or imprudent sorts of entertainment online, for example, rather than using my strengths, and building upon gainful and productive aspirations in life. 

 The app I have in mind, in this instance, is a simplistic one, although I would strongly presume that the merits are founded, and sure. 

Why an app? 

Mobile development is an industry that had a significant heyday leading up to the time of the Pandemic, and by all means, it’s an industry that will see growth, to come, as various demographics see a rise and fall in their social and class status underpinnings; I’d suppose that would happen, based on much of the “conjectural” (perceptual?) confessionals and Freudian Slips that I’d been privy to, as we’re all under interrogation by the higher authority, until we become the highest authority, when it comes to a remote sensing tech and lifestyle sort of, uh, lifestyle. 

Within the gold rush timespan, leading up to the era of high-powered mobile device hardware, we saw many shining stars emerge in app development, which fulfilled many of the needed purposes to be seen through in app development in an ever-increasingly more compact, more large if need be; more graphics, higher data throughput and storage capability expectation and demand, on our devices. Activities and pursuits of merit, once confined, largely, to the classroom environment and to libraries, were suitably accommodated and made much more accessible to the layperson of an aspirational creed, who would shrug off the influence of pirating goods (and jailbreaking,, etc.), and go with the program, as far as discovering what was available and being offered through mainstream big tech app stores, offered by Google, Apple, and now Amazon (does Microsoft do an App Store for their mobile devices? I don’t know, off-hand, but I’d assume so). 

The point is,

is that many developers and programmers had staked their worth and product offerings, early on, and they’d established themselves, app-wise, as the go-to solution that people would come to discover, and support, for menial scrum pay - that many App Store offerings were given to people as, with archetypes such as the iTunes Store’s $0.99 offerings of parted-out pieces of what could, would, or had been full albums, previously; many of such apps, themselves, offering a similarly compartmentalized concept of what productivity and development, or “work,” on mobile devices could, and ought be, as it was envisioned and carried out. 

My go-to app, for learning about neural networks, all learning and literature (mostly) aside, came to be Neuronify. Was it free? Did I pay for it? I don’t quite remember, but if it cost anything, it was a couple, or several dollars, or so. It seemed to do the job, as imaginable as it might be, for a dilettante entry in to app-attainment goals, for my arrays, choices, and learning-basis inclusions on to my mobile devices, and for that matter, SSD hard drive space, on an iPad, even more so than on a mobile phone device - it goes a lot further than on a desktop environment (as well as better than phones can offer). I’ve currently (September 2021) got 569 apps, 6020 photos, 346 videos, 168 songs, on my device, which features 256 GB of SSD storage, and I’m only down to about 161 GB remaining. I do anywhere from a 4+ hour to 8-hour screen time daily average, given a week, on my iPad Pro device, particularly now that I’d lost my Google Android Pixel 4a 5G, which is part of a great series of mobile phones, for the cost, by the way. For that matter, the Google Store also features the Neuronify DIY neural networks mapping (doing) app, as well. 

The premise of a neural network is fairly basic, in essence. There aren’t all that many parameters and objects that would be featured in Neuronify, but the significant feature of having development and productivity, on mobile, playing out, at the speed of whatever measure of achievement that could be wrought out of the device and app, through the user’s input, as a moving visual image: interactive, and engaging that it is, playing out on the screen, is part of an attainment, in mobile device development, particularly on the iPad (Pro), which would have formerly only existed in richly-resourced study and research learning and development environments, and tracing even further back, in static image renders, of the calculations involved, and even further than that, in people’s imaginations. At some point, the technology falls back in time, in to philosophical codices, with the basis and need for the science of neurology being a pursuit, study, and investigation of what comprises the mind, itself, and it’s functioning, at the most critical points of investigation and discovery that could be had. What works? What doesn’t? What is the most effective cause and effect cycle and premise? Which types of decisions and behaviors are harmful, or wasteful? These sorts of questions could be proven, to as best the researcher could prove, to the scientific community, whom, in turn, would be capable of producing the same results, in a lab setting, thus validating the discovery. 

Within the app itself, as I’d mentioned earlier, there are only several parameter objects and icon type tools, or actions and feedback mechanisms, in other words, of the interface. The interface, in and of itself, is a node-based class of workflow environment.

The Neuronify app interface, on a 2020 model iPad Pro.

Here, then are the various user interface tools of the app:

Leaky excitatory neuron

Adaptive excitatory neuron

Leaky inhibitory neuron

Adaptive inhibitory neuron

Voltmeter

Spike detector

Firing rate plot

Loudspeaker

DC current source

AC current source

Irregular spike generator

Regular spike generator

Visual input 

Touch activator

Note

My hypotheses:

Premise 1: innovative skills arise out of need, as well as out of rote. 

Some findings and observations, upon that basis:

• Needful skills could only possibly attend to the problem which arises. In this case, I’m choosing productivity as the title of merit. Takin time to discern and decipher, as well as determine that the problem is resolved, and move forth, is hampered by products of neural activity that could rely on lesser or greater electrical pulses, at a more accommodating timing, if the problem at hand were capably handled by a more singular and fluid, unique mind, rather than a mind of more randomness. Electrical efficiency is the requisite object of attainment.
• My preference, for deciphering that engaged and interactive learning, for example, is the superior backdrop to a greater productivity, is that the problems are being resolved in an engaging, real-time environment. Calculations happen quicker through methods gained in using hand-eye coordination types of skill sets - gestural and procedural industriousness, of various other enterprises of life, which pertain to economics, could be translated over in to the argument for an active learning environment basis to a more capable and effective problem-solving style, compared to a “flash card” setting, of completely randomized data sets, this being the cards. 
• The goal of this hypothesis would be to employ certain scientific control environments of my own study, ask individuals for their input, and analyze their statements and claims, as well as their preferences, and discover, within the control environment, whether or not they find similarity, or comparability, in their input received, when calculated against my personal findings. On one hand, it takes a high Intelligence Quotient (IQ) to discern valid mathematical truths about a visual environment, of an insightful nature, yet - I would assert that we, as intelligent and rational creatures, would pursue and develop upon gainful, rational, formal structures, rather than something more founded upon chance, randomness, (even within a finite series of choices), memory - which would alter the resonant section, even, of the brain, itself - a costly transformation; I would say more so, than if the knowledge were understood by an actively engaged mind, of rote discipline, and familiarity, set about in a workflow and industrious setting and environment. 

I’ll pause here, in writing, because I’ve arrived at my destination, of where I’m going, for this part of the day.

Update: 02/09/2023

Hello, I apologize for the abandoned blog article, here - ha ha… a silly way for me to appear, in front of others in the scientific community, but I had abandoned this blog article, due to ongoing challenges in my personal life, which still persist. Aside from that, the app no longer loads on my device; I believe that the app is no longer available for iPadOS, for that matter.

Update: 03/25/2025

I’ve recently gotten a new iPad Pro, and, with my new desktop interface, I checked out my complete apps list, of former installations that I’ve had, and I got to look over all of the apps that I’ve ever had, on every iOS / iPadOS installation that I’ve done, so I checked back on Neuronify, as a download, after finding that I had to abandon this thread of my research, due to the app not working for me, temporarily, as the previous update I made on this article will state. This being the case, I can now work on speculative research projects of relevant subject matter, as for my neurological subject matter hypotheses. 

Spring ‘25 New Fragrance Releases: Announcing the “Eaux Caïnes” Line of products.

The Eaux Caïnes Spring 2025 re-release and upcoming product developments feature iPigeon.institute’s most deeply heartfelt, and aesthetically peculiar, as it were, offerings of fragrance products that lean heavily upon various scholarly research aspirations that have been brewing for years, now - here, coming to fruition with a bountiful assortment of novel, specialty, and rare aroma compositions, the so-called “Eaux,” collectively. 

The particular tendrils of etymology that underlie these new products, from my research and development arms of the company’s investments draw richly upon some of the youthful charm and aesthetic of the initial formative years in iPigeon.institute’s establishment, where illustrious and complex aptitudes of far reaches in to literary and cultural contexts drew up grand imagery of what our current reaches in scholarship, given technology, world literature, and language, in short, construe for us, at the ever-establishing new horizons in technology, and the power of transliteration, with its attempts to bridge those cultural gaps. 

I had become a figuratively faune sauvage scholarly pigeon-lover, intent on staking a speculative claim upon the world of high culture, with my niche in tow. As this blog’s archives of former years’ articles will show, it was a florid imaginative and speculative space, which documents the youthfulness I felt, for dedicating myself to feeding the birds, as a self-induced, dedicated task that I put myself up to, whereas I found myself in a hopelessly aught-else place and period of time, in life, of deep introspection, and an affinity for scholarship on my own time, making up for lost years of ineptitude and distractibility that I found myself in, as a former graduate school university dropout, in Music Composition. Back then, the demands of my studies curriculum were far beyond my years and capabilities to keep up with, and I found myself falling shamefully behind in showing up, appropriately, for class. Despite this, I was given some seeds of intellect and of discovery that would resurface, during the current organization’s establishing years, as a grand tapestry of inquisitive and far-reaching horizons of illumination, coming to light, now that many years of subconscious failures and lacking skills had tempered, within me. In short, I was shown many wise lessons of worldly cultural scholarship, through my academic years, in attending school, that would rise up, to the surface, to be requited by a more mature take on the topics and discussions of years past. 

Back then, I pondered over the matters of life that faced me, bleakly - could I, if I was given some other, alter-ego nurturing environment “concurrency” of upbringing and of comprehension, have averted so many disasters and failures that I faced, in life, for being a drug addict? I feel that this is where many individuals, of this place in time, colloquially, would care to consider, in life. This is where I find common ground with many other people, in life. 

In hindsight, I can chalk up my university years as shortcomings of a more esteemed purpose and path in life, whereas my skill sets and strengths would naturally take many more years to bear fruit, given the extents of my nurturing environment’s essential boundaries. A certain slice of scholarship would duly have been seen to outperform me, whereas the academic environment of graduate school, and, of college, itself, bore down on me, whereas I found myself often underprepared and at a loss for words, for class discussions and presentations. 

Now, the technology is far more accommodative, and I find myself, paced with less anxieties over performance in competitive learning environments, whereas I always take to enterprising ways, naturally, as a merely “somewhat” faithful dictaphone representationalist of music, as art, whereas the study materials opened new avenues in to deeper foundations of music, as communication, and as representative art, which I draw relevance upon, with my transliterative novelty enterprises, in my current workflow environment. 

Whereas, the internet, and our scholarly literature, given our place in life, and, in time, wherein we have the potential to inherit, or invent, novelty, still; I’d refer back to a notion I had come across, in my research, where novelty itself, as a term, would eventually see an ironic end of life extent, in its outcomes, as the procurement and development of intellect and of knowledge, whether organic, or artificial, or otherwise, at least, ex tempore, of natural, or of conceivable literature and knowledge base, in short, would see an exhaustive show of contributions, such that every ends and means of scholarship and etymology would someday see its full and human potential; things that we could attain, for ourselves, as denizens of the era of which we are provided, given accessibility and the internet; of technology and of scholarship. 

These complexities flourished through my mind, as I found myself, a young man, struck with the inescapable fate of having failed in former enterprises, requiring a paring down of expectations, and some time for reflection and accountability of what life had come to, as for myself. Essentially, it was a humbling time of dissociation from the loud and outspoken attributes of my character, and subsequent personality, which had failing associations weighing down upon my weightier soul of introspection, where I had smeared over some of the fragile and more humble aspects of living, and of life’s potential, that found themselves in untimely environments that sought recreation elsewhere, with similarly historically youthful expressions that presented themselves, given the weight of so many things that I had been shown precedence of priority, in considerations that time offered me, now that I found myself undoubtedly singular and solo, fraught with a dialectical of thoughts and suggestions of an abundant resource, in variety. 

Such backdrops are the fundamental intentions behind the “Eaux,” [oʊ] or “waters,” collectively, line of fragrances, drawing upon inspirations found in some studies that bear down on the French culture and traditions in aesthetic finery, and, with their contexts of cultural aesthetics, and of the stories we find, looking back, of the lives of the people, both renowned and undiscovered, whereas the world of literacy and imagination offered unique and untold dramas of the human condition, of which we would someday find subsued, in the eventual domination of intelligence acquisition, and what a rich resource to draw upon, should we be skilled in understanding. 

One of the mentors of my lost years, of soul-searching, and subsistence-seeking, fancied himself [oʊ] (short for O.G., American slang for a common sort of man, who had seen hard times and incarceration in life). I remember him for his gentle demeanor and handling of me, as a young inquisitive sort, in to gang life and culture, back around the years leading up to 2007, or so, when crack cocaine was a prized subculture feature of the part of L.A. that I had frequented. I draw upon my fondness for “O,” because he departed my life, unbeknownst, and into the void, suddenly, when I lost contact with him, during the proceedings of law enforcement interventions in to the crack cocaine subculture and gang affiliated behaviors that had taken over some streets, within some confined areas of Los Angeles, on many frequent nights, citing the dues to crime and addiction that would rack many people’s lives and finances, of that era in Los Angeles’ cultural history. “O,” as he referred to himself as, to me, had broken both of his fists, against a car’s windows, (this had happened in front of me, on some nights), where he had become frustrated with drug deals with passing vehicles - one of the characteristic and defining features of this gang culture’s aptitudes, in the neighborhood). Being that he departed from my life, before I saw him through, in hospitalization and recovery from his injuries, I felt a loss, for him, and I’d despaired over his wellness and outcomes in life, being that he didn’t make it, for some time, to a hospital, on his own, during the weeks subsequent to his self-injuries, and the transformative effect that the law enforcement intervention “crackdown” had had on the continued showings of crack cocaine sales, in the community. It was a stark transition in to a sobering era, whereas the streets were seen to be liberated from takeovers by drug-dealing gangs and associated cartel. 

The smell of “Eaux caines,” otherwise, a transliterary mash-up of happenstance and terminology, long story short (it will go untold, for the time being), essentially referring to the scent of the “Eaux:” or, “waters,” as is common French terminology, in fragrance, and in perfumery, as commonly seen in the prominence of eaux de colognes, which is industry nomenclature for a 2%, or more, dilution of fragrance concentrate in solution, typically alcohol, in men’s fragrance. Here, the eaux (“ohs”), in this instance, in linguistics usage, take on the lighthearted and bold nature of the men and women of that place in time, out on the streets, as the legacy of the composition and intrinsic nature of the fragrance line will construe; I’ll return to that subject some other time. 

It’s a topic much better left to a skilled speaker and distinguished scholar, perhaps, which I am not, currently; someone who could deliver the speech more profoundly, and with better composure than I have, for speaking, for the foreseeable years to come. Yet, despite this, I’ve made the investment of time, and some funds, recently, to have produced another, and, more sustainable, product development round of this speculative subject area in fragrance, and in ethnographic-anthropological exploits and discoveries in chemistry, and of associated pharmacology, based upon, well, speculative, and, amateur, caricatures, of fragrance-making scholarship and studies, that I could make out, which I find - are centered upon the fragrance of a crack pipe. “La Caine” is also a commune, in France, very sparsely populated, which features a nunnery and small Roman Catholic Church, attesting to the stark contrasts of religious devotion, which underlie so much of our narratives, here in America, as well - particularly when we find ourselves in times of hardship.

More to come, on this, at some point. I just wanted to inform the people, once again, in case folks were curious as to what I’m wearing, scent-wise, when I go out. 😏

- on the the heels of the emergence of the subject area of Proto-semiotics.

iPigeon.institute FAQs.

This FAQ was generated by Google Workspace’s NotebookLM Plus, as part of my Google Workspace Enterprise account’s offerings. I figured I should make use of it, so I ran a cursory review of the current homepage, by the NotebookLM Plus tool, and it generated some interesting insights, discussion, a timeline, and this FAQ.

Still life by Grok, on X.

Frequently Asked Questions about iPigeon.institute

What is the primary focus of the iPigeon.institute blog?

The iPigeon.institute blog centers around the author's interactions with and observations of pigeons in Downtown Los Angeles, blending these anecdotes with explorations into fragrance creation, technology, lifestyle commentary, and art. It aims to foster an appreciation for urban pigeons while also delving into the personal journey of fragrance development and other diverse interests.

What did the author recently discover about the fragrance ingredients damascenone and damascones?

The author recently learned that damascenone and damascones are distinct families of aroma compounds with different molecular forms and olfactory characteristics, rather than just being minor spelling variations of the same ingredient as previously thought. This realization came about while trying to recreate a past fragrance composition.

What is "Eau Pigeonoid" and what is the author's current goal for this fragrance?

Eau Pigeonoid is the author's latest fragrance composition. Initially inspired by the structure of Dior Homme Sport, the author's current goal is to refine it with new ingredients like damascenone, Hedione HC, cardamom, Melissa essential oil, and patchoulol crystals to create a unique and personally euphoric scent profile that occupies its own niche.

What kind of art related to pigeons is featured on the blog?

The blog features an ongoing online exhibition of "Pigeon Box Art" and other pigeon-related art commissions found around the Greater Los Angeles area. This includes photographs and descriptions of murals, statues, and even instances of pigeons depicted in artistic scenes, highlighting the author's appreciation for pigeons as subjects of art.

What unique experiences related to pigeons are offered through iPigeon.institute?

iPigeon.institute offers walking and Metro ride tours of the pigeon flocks in Downtown Los Angeles. These tours provide an opportunity for locals and visitors to observe the pigeons up close, learn about their history and lore within the city, and potentially hand-feed and handle some of the birds under the guidance of the author.

What recent observations did the author make about the baby pigeon at the LAPL Central Branch flock?

The author observed a new baby pigeon venturing out with the flock for the first time. While the baby pigeon could already peck for food, its feathers were still ruffled, and it initially lagged behind the flock during flight, indicating it was still learning synchronized flock behavior and self-preening.

How has the behavior of the DTLA pigeons around the author evolved recently?

Some members of the DTLA pigeon flocks have recently become more comfortable around the author, who is their primary feeder. This is evidenced by their new behavior of perching on the author's arm or belongings to get closer to the food, suggesting a growing level of trust and a shift in their social dynamics around the feeder.

What are some of the diverse "labels" or topics covered on the iPigeon.institute blog, based on the provided list?

The blog covers a wide array of topics, including (but not limited to) anecdotes, art, blogging, DTLA, fragrances, feeding pigeons, photography, product reviews, technology, urban wildlife, personal experiences, mental health, local events, and reflections on various aspects of life in Los Angeles and beyond.

What’s the difference between a damascenone and a damascone? A Personal Journey Through Fragrance, and the Literature.

 You might be tempted to research and add one of the damascones to your cart (or wish list), instead of trying out damascenone total, itself, but the reality of the situation is that: these aren’t typos that snuck in to the supply chain of retail aroma compounds, although that might be the most common folly, in this situation; it got me, for example, and for years I went about not knowing and discerning between a damascenone versus the various damascones that there are - in other words, I thought that these were typos (the difference in spelling, between one and the other), and that these two distinctions were part of the same family and classification of fragrances. Not until just several hours prior, before preparing this blog article, in fact, did I truly learn and discerned the distinctions and differences between damascenone and the various damascones.

First of all, the difference in use case scenario is fairly large, in this case. I recall a nameless mock-up perfume composition that I threw together with a new haul of fragrance ingredients that I’d procured, and I was relatively new at composing fragrance mock-ups. As such, I had much less familiarity, or sense, for that matter, about the suggestions and or significance of the IFRA limitations upon many various fragrance and flavor compounds, offering guidelines and limits, in percentages, or in “parts per” (million), for example. For that matter, damascenone is used as both a flavor and as a fragrance molecule. In this mockup fragrance composition I had made, years ago, implementing damascenone, I had employed what would be considered an “overdose” amount - the compound is very powerfully fragrant. Here is what the literature has on damascenone.

The article feels timely, seeing as how we’re on the heels of the latest Valentine’s Day, this year (2025). 

As well, here is what Google’s AI-augmented search came up with, when I asked what the difference was/is between damascenone and damascones, since I had gotten things mixed and mushed up, in my mind, until just earlier:

Here, although, absent of smelling the aroma compounds in question “in person,” it would be a far cry from simple, to really invoke the senses in a way that would constitute that the readers could mock up damascenone, for one, and the damascones (there’s a few, at minimum). Regardless, we see that it is the case, that the two distinctions are inherently separate families, separate molecular forms, and different classifications of materials, both chemically and in an olfactory sense. I personally have had a former in-person sampling of damascenone 93%, which I employed in the fragrance composition I had touched on, earlier, and, as well, I recently purchased beta-damascone, thinking that that was the compound that I had employed, previously (without checking my receipts, as notes; therefore, I was wrong). Damascenone is, as well as damascone, distinguished, in composition and form, in the “beta” distinction (it’s known as beta-damascenone, and there are different aesthetics, dependent upon the degree of purity of the beta molecule, versus other variants of the same compound). 

The original haul in question, where I purchased Damascenone 93% from the now defunct CreatingPerfume.com (they’re now at CreatingPerfumeStore.com).

Now, having made my recent mistaken step, in trying to reclaim some of the scent legacy that I had once created, just for the olfactory nostalgia’s sensibilities of the situation, but also, that I felt that that particular historic nuance of the fragrance composition I made would be a distinguished role to fulfill in my latest composition, Eau Pigeonoid (I lost my fragrance collection, years ago, when my belongings, including over 300 fragrance ingredients and oils, were swiftly removed from my possession. As such, I “miss” some of my fragrance compositions that I’d made). In this case, I’d been feeling that my latest make of Eau Pigeonoid (my latest fragrance composition) is “pretty good,” meaning that it’s tolerable for myself, and, conceivably, for others, as well. I can tell, because I sometimes have to admit that I find myself stuck, at times, with fragrance compositions that make me a bit nauseous or embarrassed, being that they don’t smell all that refreshing. Here, I have a pretty good composition that doesn’t make me sick or fatigued; I just feel that the composition could use a bit of smoothing out of some of the slight let-downs that it has, as-is, so I wanted to audition Damascenone Total next to my working composition of Eau Pigeonoid, even though I might only use just a slight amount for it, in the end, I just wanted to sample the two fragrances together, as well as Hedione HC, in which case, I’m opting for the cheaper (and equivalent) Methyl Dihydro Jasmonate HC. Despite that Eau Pigeonoid is touted, currently, as a men’s fragrance, and these are floral-esque (or, moreso floral) effects, I’m just whittling away at slight facets of the fragrance, Eau Pigeonoid, at the moment. Most of the primary and formative work has already been done on it. 

Updating…

02/17/2025 10:11 p.m.

I placed my order for the materials, finally, and I threw in some patchoulol crystals, to see how they are. The price worked out to be just right, for my budget. 

As an aside, I have some other oils on order from Sheer Essence, on Amazon. I checked out their website, as well, to view their full catalog, and, in this case, I ended up going with a bottle of cardamom essential oil, as well as Melissa officinalus. Right now, I have a fairly (what I might estimate to be) aldehydic fragrance, with recent additions of vanilla, pink pepper, beeswax absolute, and a “named” aldehydic mandarin scent, with Mandarinal. It’s somewhat reminiscent of the type of quality that a Dior fragrance might have, yet it brings out the sensual side of my days, as a quick reminder, here and there, of an animalistic nature, lying beneath the surface (probably also owing to that I haven’t done laundry in a very long time - although, I did a quick run, to make sure I wasn’t too bum, just the other night). What I mean is that body odors would arise, in my senses and periphery, yet, fragranced with the sweetened odors of beeswax absolute and other components, I found it compelling (I know, doesn’t everyone, of themselves?). Anyways, I’m currently cleaning my room. I ordered a new mattress, and it’s a size upgrade, so I have to move and repurpose a bunch of stuff in my room, on this evening. 

“Dior?” You might be remarking. “He compares himself to Dior?” And I know, sure, it’s a bit youthful and unrefined a composition, yet, as I stated, my composition, I would say, to reiterate, that it simply has “some of” the qualities that some Dior fragrances do have. I found it a bit affront, to have landed, stylistically, in a fragrance space that’s already occupied; that’s why I’m seeking new ingredients, perhaps; I’m seeking to surge forth and find my Eau Pigeonoid niche, with a finished prototype, something fantastic and unique enough to stand on it’s own, even though - <_<… it’s not bad, as it stands, right now. 

In fact, I suppose, on second thought (now that I gather my thoughts, a bit), that Eau Pigeonoid was slightly built upon a supposition of that I could, at this stage, in my perfumery knowledge, make a slight mockup of something that smells somewhat like Dior Homme Sport, so I guess that that rightly stood as some of my formative inspiration, in crafting Eau Pigeonoid. Now I’m going with some Cardamom and Melissa, some damascenone and Hedione, with a dash of patchoulol crystals, if it suits; attempting to craft a bit of spicy, a bit of lemon freshness, and I want to fill out and round out the woods, with an aim to barter good intentions for near-cosmonaut euphoria highs, upon smelling my own fragrance (Hopefully? That’s my goal, anyways, with this stuff). I’m hoping that Damascenone and Hedione HC are perhaps the missing actors in making my fragrance composition a fine show of things.

The reason I reopened this project was a drive to explore the undiscovered (by myself), which is always the case, when procuring and experimenting with new aroma chemicals and fragrance compounds. Even if it’s a familiar scent, that I’ve encountered, or know, from experience, smelling it as a bottled product, ready for mixing, is a whole other experience. By the way, I do highly recommend Sheer Essence for procuring some fundamental essential oils, carrier oils, etc. You might be thinking, “well, they ship from India, how do I know it’s good? What if it takes a long time?” The answer to those fears are that, surprisingly, the packages take a much shorter time than expected, and the quality of their oils is fantastic. I recommend that readers try them out. They’re perhaps one of the best bargain merchants in the entire world of natural fragrance materials - not that bargain, here, means “cheap.” As I said, it’s surprising; both the quality of the oils, as well as the promptness in receiving the shipment. Perhaps a week or two, at most, to receive it in the United States. As you can see, from the screenshot below, I ordered a fragrance on the 6th, and I reviewed it, after receiving it, on the 14th of the same month, or earlier than that, that I received it and reviewed it.

Update: I received the fragrance ingredients, and I added them to my fragrance composition, which I tentatively call “Eau Pigeonoid.” Even with around only 1/4 to 1/3rd of a milliliter, of the Damascenone, that I added, it stands as a very prominent feature of the composition, with a relaxing, natural, fruity floral effect to it. I feel that I rested better, after spraying some of the fragrance in my room, as I slept. I’ll plan on waiting for the cardamom and Melissa essential oils to arrive, from India, before I plot out the final and finishing touches on the fragrance, once again. So far, it’s been through it’s fourth cycle of development, since the formula was originally concocted, out of 8 ingredients (now, there’s more like 20 ingredients, some of them just trace amounts, but I wanted the damascenone effect, that I remembered, from my past compositions, and Perfumer’s Apprentice’s Damascenone Total (Firmenich) doesn’t disappoint. 

Pigeon Box Art and Pigeon-Related Art Commissions Around the Greater Los Angeles Area. [Updating: now, with Pigeons and Friends]

An ongoing online exhibition featuring visual odes to the pigeons that I've discovered, or happened upon, as a trekker of many streets and locales in and around the Greater Los Angeles area. 

Box Art is a trending artistic expression form that sprung up, several years ago, as a seemingly ordained vehicle of artists' aspirations for public recognition (I'm not sure of the origins or certifying agency behind the legality of painting on public sidewalk utility server boxes). 

The pigeons, being the endearing young explorers and ambassadors to the town that they are, have merited several works of art dedicated to them over the years, in the lives, works, and hearts of artists and art lovers all across several locales around the Los Angeles region. 

Update: 02/17/2025:

It must have been someone local, who had taken note that Pershing Square had, in recent months, been taken over, it might seem, by flocks of pigeons who are well-fed, on a daily basis. Here, we see a miniature fiesta scene, with pigeons adorned in Mexican garb, eating mariscos (seafood). This begs the question as to whether or not the pigeons actually do eat shrimp, and I tried it out, with some shrimp cocktail.

Update: the pigeons don’t like shrimp.

The South Pasadena Metro Station

Los Angeles Trade Tech College Murals

 

The Martin Luther King Blvd. at Harbor Freeway 110 Underpass Murals.

The Ernst and Young Plaza Poetry Pigeons; Curious Over a Fried Egg - Cast Metal Statue

Santa Monica Pier re-opening welcome banner.

Update: 01/24/2022: 

While out working on some more recent developments, of about a year-and-a-half since I’d last made inclusions and updates to this blog, I’ve come across a previously unknown, or previously non-existent - charming mural rendition of some of the Friends of the Pigeon: a sparrow, and what appears to be perhaps a baby seagull, with a characteristically youthful withdrawn stance, about the bust (breast, neck and head) of the bird, of which would suppose a more socially-shy and unsure fledgling addition to a flock, amongst adults, in a similar manner in which a puppy reserves it’s tail in between its legs, as an ostensible sign of submission to the elders and authorities of the pack, or family unit. This mural is located in the Playa Del Rey area, which is part of the expanse of public works projects that include a nature reserve designation, of sorts, that encompasses the Los Angeles River, which begins, winding further up the road, and around the bend, a bit, feeding in to channels that comprise the Venice Beach Canals (which are an upscale series of channeled waterways that mimic the Classical Canals of Italy’s Venice; thus Venice Beach, CA, is rightly named as, such that it would suppose a proper nod of the hat towards a facet of our Western heritage and culture, here in America; Venice Beach, largely known as a small, yet concentrated locality of the West Coast, in attracting many professionals and patrons of the Los Angeles, CA artistic culture and of progressive minds and lifestyles, and the area is, therefore, rich in diversity, arts, and spirituality. The Ballona Wetlands, as it is known, further up in to this current area, known as Del Rey, bordering on Culver City, in this instance, is a rehabilitated natural and native wetlands plants reserve, where the river flows inland, turning, at some point, several miles up the road from the beach, and winding its way through Los Angeles, as a large concrete ditch, perhaps anywhere from 20-30 feet deep, and, at times, anywhere from 30-75 feet wide, perhaps more, in some cases, as a watershed management development of the larger systems of society and government, and it is rumored that, at some point, the development project is projected to expand the entirety of the lateral expanse of the lower 48 states of America in coming decades.

Somewhere, 

at the edge of two localities, the river becomes a great wash basin, capable of handling a significant flow of water, perhaps, someday.

Hollywood, CA - YMCA building.

The Hollywood YMCA, in the heart of Hollywood, CA, features an external mural and protective wall (since there’s sometimes small civic uprisings that find their way in to Hollywood, lately, at times [mid-late 2022]) featuring black and white birds, perhaps pigeons, that they could be.